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A brilliant and outragously funny satire of society, 7 December 1999
Author: Dave Joerg ([email protected])
"Flodder" is one of the funniest movies ever made and few people realise that it is a Dutch movie made by none other than the Holland version of John Carpenter, the famous Dick Maas, author and director of the thriller "Amsterdamned". The Flodder family is the reincarnation of the term a-social. When the whole family bunch, basically all bastards, criminals and sluts must be relocated from their City slum because of toxic waste under their house, the city council house no choice. The only available space is in the "Zoendal" - the "Sun Valley" the best area in Amsterdam where all doctors, snobs and businessmen can afford to live their lives. And where the central point of interest and politics is the tennis club of the community. The Flodder family brings devastation to the tranquil world that ruled before. They are simply unbelievable. The characterisation is incredibly funny, beginning with Ma Flodder who searches other people's trash cans for food or making illegal liquor in her cellar and ending with the eldest daughter who is the biggest slut on earth. Together they make the most horrible family imaginable, a sort of immoral mirror image to the Brady Bunch or the Waltons. When the City counsel of Amsterdam hoped that the Flodders would show their good will to be more civilised in their new area, it turns out that Holland's most famous family would rather bring out the worst in the rich people of "Sun Valley"-wonderland. The rest is a hilarious, brilliant and well made social satire that can be watched as a provocative movie as well as a straightforward comedy. Dick Maas at his best. I salute him! Flooder was the Dutch smash hit in 1986 and brought two sequels and a tv series. All of the sequels were nice but not as great as the original.
Flodders (1986) is available on DVD in Germany in a dubbed German version in Dolby Digital 5.1. under the name:
"Flodders -Eine Familie zum knutschen"
Why is First Floor Features, the producer of the movie not bringing the Dick Maas blockbusters out on DVD in the Netherlands, I wonder. The are not even available on video there. These movies have so much potential, still to this day and have a huge silent but true following.
本子挺好的，一些伏笔的设置，象征。比如戴上美瞳看不清妈妈的爱，受之父母的身体发肤还给父母报恩，逻辑也成立，母亲过度干涉亲人的生活才让他们都依赖她、得不到成长（舅舅、小美），最终母亲自食其果（没能去南极科考、舅舅赌钱），并得到了解释：这是那一代母亲基于历史因素、文化环境不得已却就是自己的选择，无怨无悔，深知其利弊，却愿意做这样的母亲。但希望今天的女孩子，有自己的选择——有勇气爱一个不应该爱的人，争取自己真正想做的工作。但是视听真的太烂了！台词也不行！编剧真的请假了吗？！感觉在看电视剧！！！
情感转变是比较生硬的。女儿，弟弟，老公....都在癌症面前变了一个人。
我为什么才看！！！呜呜呜😭全场笑疯，贱贱不愧是贱贱，加朵反派简直美翻！高跟鞋➕大长腿太美了叭～强森也好阔爱。比我想象中的好很多很多。
最后用加密货币交易不就行了（doge，看来剧本挺老了
穿越机好酷啊，在大片里都没看到过呢！疫情期间拍的？还能去这么多地方啊！里面的梗和彩蛋也太多了吧！三个人都演过超级英雄吗？等待续集啦！
差点意思，但是结尾黄老板perfect一出，我擦！硬凹出3颗星，不然打死我也不会给的！
ryan reynolds人设已定从此不能演严肃角色。gal galdot美的令我审美疲劳已经不觉得惊艳【多伦多去dt地铁】
结果，富爸爸准备的三颗蛋都不如Ed Sheeran的一出场。该电影剧情没啥新意，仅凭仨主角魅力取胜。
中规中矩的爆米花电影，至少不赖。不过强森的戏路真的好窄啊，这角色太不适合他了。
有点山寨《纵横四海》的感觉。
大牌云集，却无聊低级。毫无趣味的双男主根本擦不出火花，最后的反转更是画蛇添足，一次次的反转只把剧情往无药可救上引。瑞安·雷诺兹和巨石强森真是"发挥稳定"，好像这几年就只会一个角色一般，已经审美疲劳了 @Netflix
2021-06-22想看。三位大咖主演都没能让我坚持看完解说。。。
大杂烩，各个桥段应该是Netflix靠大数据算出来的组合收益较优解
《红色通缉令》就是其中一部，重金请来“巨石”强森、“小贱贱”瑞安和“神奇女侠”盖朵·加尔，投资高达1.6亿美元，可以说账面上的配置相当诱人。
剧情麻麻，既不过脑也不走肾，什么都想稍稍沾点，元素多而乱，也没什么笑点，台词倒是埋了不少彩蛋，反派摆设，警方道具人，小贱贱还是那个小贱贱演法，加朵的脸就算再努力使坏还是出戏（难道是因为那blingbling的大眼睛？）三个喜欢的演员凑在一起结果却并没有期待中的化学反应，相对来说巨石这个角色还稍微ok，结尾就算能拍得了下一部我也不准备看了
妈妈这个话题，永远温情，永远泪目。
流畅愉悦的娱乐电影，新时代的印第安纳琼斯+纵横四海。本来可以是 4 星的，但 Netflix 的娴熟套路让这个故事有点过于油腻了，同时又不是院线电影，很多动作场面的体验就被削减了，就减了 1 星。Netflix 就像连锁餐厅一样，所有的细节都没毛病，但精打细算的老板就是不打算冒险，反正能赚钱，为什么要冒险呢？
脱离了某些特定剧情和剧情相关设定，话唠属性并不适合所有角色。
可以把它当成是换了两个主演的《速度与激情：特别行动》2。死侍依然骚话不断，合格的爆米花电影，只不过最后的反转有些不合逻辑。如果大块头和神奇女郎原来是雌雄大盗的话，那么在装甲车后面换金蛋那场戏，他俩是演给谁看呢？当时可没有任何人看见。所以这更像是拍到最后导演说，“靠，还要再加个反转”，而且忘了把不合理的地方剪掉
一部爆米花电影让我分了三天睡过去四次才看完的无聊
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