Haunted by the memory of Walter Holderlin, a soldier he killed during World War I, French musician Paul Renard (Phillips Holmes) confesses to a priest (Frank Sheridan), who grants him absolution. Using the address on a letter he found on the dead man's body, Paul then travels to Germany to find his family.
As anti-French sentiment continues to permeate Germany, Dr. Holderlin (Lionel Barrymore) initially refuses to welcome Paul into his home, but changes his mind when his son's fiancée Elsa identifies him as the man who has been leaving flowers on Walter's grave. Rather than reveal the real connection between them, Paul tells the Holderlin family he was a friend of their son, who attended the same musical conservatory he did.
Although the hostile townspeople and local gossips disapprove, the Holderlins befriend Paul, who finds himself falling in love with Elsa (Nancy Carroll). When she shows Paul her former fiancé's bedroom, he becomes distraught and tells her the truth. She convinces him not to confess to Walter's parents, who have embraced him as their second son, and Paul agrees to forego easing his conscience and stays with his adopted family. Dr. Holderlin presents Walter's violin to Paul, who plays it while Elsa accompanies him on the piano.
The film's original title, The Man I Killed, was changed to The Fifth Commandment to avoid giving "wrong impressions in the minds of the public about the character of the story." It ultimately was released as Broken Lullaby.
当大部分战争片以充斥视觉垃圾为荣时，老谋子选择化繁为简，这是他的勇气。越是简洁越考验功力，老谋子向其他战争片示范了什么是张力。放一堆烟花并不吓人，打火机对着引火线要点燃的瞬间才最让人紧张。用最简单的剧作——一场狙击战，刻画出最细腻的人物心理与状态。把每个人物放大，这一场战争，对于里面的每一个人物都是高光时刻。当镜头怼到演员面前，表演就会变得严格，影片节奏好，演员也演得好，特别是章宇，情感拿捏、性格把握都很到位。春节到处都很吵，一部能让人看进去的电影真的很难得
找到班长了吗？
热泪男儿，英雄也可以情感丰富
没有一处动容 以前是抗日神片 现在是抗美神片
老谋子不愧是老谋子 叙事太好了！以小见大，让人深深感受到战争的残酷。文戏和武戏穿插的绝了！三次点名，每一次都有深意，最后真的大破防！一下子让我想起前两天玩的的剧本——《人间有味是清欢》他笔直的站在那里，仿佛让我看到哥哥的影子，我甚至分不清他们谁是谁……这些年轻的生命啊，他们就仿佛是一个人，用一股精气神，活成了一团魂，这就是中国军人的军魂！
以正出，以奇胜，国师的长处。拍得简单，纯粹，仿佛闲庭信步。看国师这两年的作品，这种挥洒自如越发明显。但也能感受到主题表现上的克制，甚至犹豫，这就是时代需要思考的问题，对比冬奥开幕感觉更明显，全社会在呼唤新时代的核心美学。
国师的不一般不单单体现在镜头和节奏的无瑕疵，更在于对素人演技的挖掘
班长觉得自己打不中绳子，还是觉得对面打不中？
完美表现狙击手的快准狠，用一个无名的小战场的几名狙击手对弈便可感受到人民志愿军的坚毅和智慧，以小见大
就说每发能打中敌人眉心的子弹都来个特效很没必要，其余没啥可说的
口水太多了，明显是武戏不够，文戏注水来凑。
电影叙事过于回合制，搞得每过一轮我都不由在心里默默计算敌方与我方战损…
水门桥浓烈煽情后续乏力的迹象愈发明显。
不愧是老谋子！！！就是说枪战片都拍的和普通人的不一样
由小见大 国师这创作力没有随着年纪而减退 高产且都维持一个较高水平。 虽说主旋律和稍有夸张 但是美国有Fury为什么我们不能来个打坦克。 何况冷枪冷炮战术确实让我们在朝鲜战场有所收获 年轻人应该有民族自信 多看看这样的电影没坏处。
老谋子的水准从来没有让人失望过，就是美军的动机在明确一下就好了，还是更喜欢原来的名字，最冷的枪
3.结尾的一幕是否令你热泪盈眶，五班还在，《最冷的枪》献给最可爱的人。
拍出了最真挚的情感
张艺谋中规中矩的电影已经比《长津湖》高出一个level，章宇还是跟着这样的导演拍片比较好。比较不能接受的两个点，一个是子弹打出时的特效反复使用，实在夸张，另一点是最后单枪挑坦克过于魔幻。最打动人的台词是美国大兵的那句话：Skum the war! Skum you!
口水太多了，明显是武戏不够，文戏注水来凑。
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