Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
还可以，个人蛮喜欢这样的电影，前期看起来舒服，支教老师确实很不容易，看到后面压力有点大，有比较多的天灾人祸，情绪起伏比较大，人生也是这样吧，抵挡不了的事，那只能接受
不知道是不是因为年龄大了，内心的小波澜很难被激起。看过藏草青青后，竟然泪流满面。人性的美好，质朴的情感都悄无声息地流淌在120分钟的影片里，让人不知不觉走进藏区，走进小韩老师的人生。孩子们纯真的笑容和清澈的眼神，给这个浮躁的时代带来了一股清流，不得不说，导演和演员都很赞！不剧透了，结尾有太多的意难平，可正是因为这些意难平，才让人久久不忘！期待疫情散去，生活回归正常后，也能去藏区看看。
支教故事题材电影并不少，这部讲的是去藏区。开头至韩松决定留下，韩松与梅朵成婚，剧情到这都是还可以接受的。成婚后的时间线就飞得太快以至于有点乱了，也没有故事性可言了 。所以最后结局虽然猜到韩松老师会奉献出生命，但没有泪目。
孩子们的心灵和眼神简直跟西藏的星空一样美，哈哈哈哈哈，真诚.单纯.善良，这不就是最宝贵的财富吗？有机会一定要进藏去看一看，好喜欢这样的环境
题材不是很新颖，但故事情节挺好的很容易让人有代入感，不过我不理解明明可以和和美美的大结局，非要搞得这么悲伤
讲述一位教师到藏区支教，然后在藏区体验当地风土人情，教书育人，且跟一个藏族姑娘相爱相知的故事，电影里充分体现了藏区的景美人美，看完不禁让人向往藏区的风土人情，希望藏区的教育和经济越来越好。
看到贫困地区的不容易，也看到支教老师的不容易和决心，还有纯洁又美好的爱情！
喜欢这样风格的电影，特别是藏区的大草原，有生之年一定要看看，现在电影里看过了，等现实里一定要走一遭
藏草青青
演员演技都挺不错的，可惜剧情比较平缓没什么跌宕起伏的情节。
我们渴求高薪谋求地位，因为要养老要自我舒适也要别人看得起，所以不辞劳苦背上种种，然后把人生的终极理想推到第二春。
朴实的藏民 条件虽然很艰苦 不管男主角开始出于为自己的目的只身赴藏 到最后他也是坚持了下来
风景很美，剧情一般，人物角色都毕竟突出善良奉献，偷猎者也坏的没技术含量，中等偏上的作品吧。
看到朗措其实那里真的不知道说啥好了，为什么那些假的巡山员会去小学杀人呢？
好多年没看电影落泪过了，这部电影真好，必须给个好评啊
本以为是文艺片，结果不仅仅是文艺，还有那种神奇的剧情？果然是惊喜不断
其实我觉得在这部电影里面，女主也非常的伟大从不抱怨，一直在默默付出，太淳朴了，感觉光环比男主还强大
非常不错的一部影片，非常推荐，故事很吸引人。
好家伙，一开始说自己是巡山员的那个人出现就觉得有点端倪，果然不出我所料，是个假的！
男主的母亲也很开明，他没有将男主局限在自认为很好的条件下，而是放任他去追寻自己想要生活的地方，只可惜最后都没能看到自己儿子成家
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