Ten years ago, Ginny (Toni Gonzaga), an Architecture student, and Marco (Piolo Pascual), a History professor, began a one-of-a-kind and unpredictable love story. In the five years that they were together, they brought out the best in each other, which included Marco's unrealized dream of becoming a chef. Together, they worked towards their dream of opening up a restaurant, but when Ginny realized her own pursuits were different from his, she rejected his wedding proposal and left the country for a Masters degree in Architecture. At present, Ginny co-owns a one-stop Architecture and Interior Design firm specializing in Restoration. She receives an email from Marco, which was written and sent after their break-up, meant to be read four years later. It makes her feel even more regretful of leaving the love of her life. When their firm receives an offer to restore an old house into a restaurant, she is ecstatic to learn that Marco will be co-owning the restaurant. She takes this as a sign...
疫情期间拍电影的蛇精病故事，有些梗和讽刺还是不错的
剧情和反派的动机太一般又没有逻辑了。没有剧情甚至是最好的处理方法，太对不起这种作画了。如果能一直130分钟的打戏，满分都愿意给。
一些关于隔离的片段确实会另人感同身受，期待今日浦西解封。🙏
被隔离过的应该都能relate。另外，Pedro Pascal到底欠Netflix多少钱哈哈哈哈哈哈哈
比较普通，属于是密闭空间的求生题材，想要花点笔墨刻画下女主的过去的家庭纠葛，但也塑造的不够丰满。剧情的紧张和悬疑程度也差些。6.5分吧
我喜欢！套娃式荒诞太欢乐了！人在现实和虚构中的处境是荒诞而尴尬的；电影在现实和虚构中的处境也是荒诞而尴尬的。而作为观众的我们也正处于同样的荒诞。中段叙事拖沓，口感松散，如果从头到尾保持口感紧实就很好。
当你快一个月没深入大自然，没自由地闲逛，自由地购物，坐在路边喝咖啡的时候，它竟然如此治愈（正面的），毕竟他们也在发疯。
#第一部阿帕图#最具当下性的、纯粹流媒体气质的、属于屏幕终端的抖音（大数据）电影。具有娱乐性的同时完成了一次后疫情时代下流媒体-影像的自反。
太适合现在的上海看了蛤蛤蛤蛤蛤蛤，PabloPascal太好笑了蛤蛤蛤蛤蛤蛤
堕落后只有自己能拯救自己。
腐烂的不仅是苹果还有人心，把握好改过自新的机会就可以涅槃重生
堕落后只有自己能拯救自己。
乱七八糟 但我有时候需要乱七八糟 特别是明星大乱炖
一星给片尾曲，看完真的是一种摧残。卡司的确不错，但总有让我想说一种植物的冲动
套路太老了，没意思，但小成本这样也可以了。还有就是杀人一定得补刀
烂片中拍烂片，实际上也是烂片，荒诞但又能理解的傻X剧情，疫情下的演员在剧组“保护”下拍电影的闹剧。这新冠什么时候才能结束呢？很悲哀但又无解的问题。玩梗和各种咖客串挺多的，但没戳中我的笑点。唯有Run让我的“搁这搁这”之心燃了一下。
毒品可以改变你的一生，所以珍爱生命远离毒品
打得超爽。
每一部恐怖片都在强化杀人一定要补刀的意识。
囚禁之美女与野兽，一神教与金钱。老太婆的裹脚布，这导演的投射太极端
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