A witty, exhilarating and mind-expanding exploration of the word of our times - data - with mathematician Dr Hannah Fry. Following in the footsteps of BBC Four's previous gleefully nerdy, award-winning maths films The Joy of Stats, Tails you Win - The Science of Chance and The Joy of Logic, this new high-tech romp reveals exactly what data is and how it is captured, stored, shared and made sense of. Fry also tells the story of the engineers of the data age, people most of us have never heard of despite the fact they brought about a technological and philosophical revolution.
For Hannah Fry, the joy of data is all about spotting patterns. She's Lecturer in the Mathematics of Cities at UCL as well as being the presenter of the BBC series Trainspotting Live and City in the Sky, and she sees data as the essential bridge between two universes - the tangible, noisy, messy world that we see and experience, and the clean, ordered, elegant world of maths, where everything can be captured beautifully with equations.
Along the way the film reveals the connection between Scrabble scores and online movie streaming, explains why a herd of Wiltshire dairy cows are wearing pedometers, and uncovers the remarkable network map of Wikipedia. What's the mystery link between 'marmalade' and 'One Direction'?
The Joy of Data also hails the giant contribution of Claude Shannon, the American mathematician and electrical engineer who, in an attempt to solve the problem of noisy telephone lines, devised a way to digitise all information. It was Shannon, father of the 'bit', who singlehandedly launched the 'information age'. Meanwhile, the green lawns of Britain's National Physical Laboratory host a race between its young apprentices in order to demonstrate how and why data moves quickly and successfully around modern data networks. It's all thanks to the brilliant technique first invented there in the 1960s by Welshman Donald Davies - packet switching - without which there would be no internet as we know it.
But what of the future, big data and artificial intelligence? Should we be worried by the pace of change, and what our own data could and should be used for? Ultimately, Fry concludes, data has empowered all of us. We must have machines at our side if we're to find patterns in the modern-day data deluge. But, Fry believes, regardless of AI and machine learning, it will always take us to find the meaning in them.
你看，当一个人把裁缝做到极致，也能非常牛逼啊！😄😃😀
一战或二战的战争场景出现在特工类电影里并不奇怪，不过能如此高质与好看，就殊为不易了。本片主要讲述了特工组织的起源，对于背景的处理，应是采取了戏说事实的办法，列宁与希特勒的会面，将会上演怎样的故事？
你当然可以提出历史的不同可能性，也可以表达戏谑，但打造这样一场脑残乱炖是对所有当事人和观众的侮辱。
谁允许加这么多乱七八糟故事剧情的
第三部男主似乎到了弱智的地步，和第一部俩人的人设完全反了
Hardin真是个幼稚的男人...偏执、顽固、易暴怒...直到... Hardin后来告诉Tessa，他梦见了她和Rob在床上的模样。
真的是卖ip卖得毫无廉耻了，尬到头皮发麻脚趾抽筋秋衣掖不到秋裤里
历史观还挺有意思的。一旦让我开启了左翼之怒，你的烦恼将会是无法找到相制衡的右翼。
导演真是太会了，异地两个人的患得患失，缺乏安全感的猜忌和自卑、还有嫉妒和思念。毕业工作是对两个人的关系来说绝对是重大考验，这个背景下的各种问题和反思也得到了展现。但是XOXO真是和剧情非常割裂，虽然拍的很好看，但是又有点尴尬。美剧节奏的反转，看来还有第四部，只要男女主颜值不跑偏，还可以忍一部！
平安夜@vegas 个人认为挺拉的 整个visuals和节奏就过于商业化了 很模版的感觉 然后剧情很散 基本找不到主线剧情 就像一些碎片拼凑起来 感觉导演就是想到哪里拍到哪里 然后和朋友都一致认为整个风格和前两部太不合了 前两部就是爽片+动作戏 这个个人感觉文戏武戏都拍的不咋滴 我中间看的睡着了一会儿 还有儿子这个角色实在是太拉垮很没必要 就是一个让他爸觉醒的工具人 完全没必要花这么多篇幅和戏份来写他 还以为他是主要人物呢 反派像设置一个小悬念但感觉揭晓的时候没有让人觉得意料之外情理之中的感觉就是很平淡 整体感觉挺一般的
作为王牌特工系列是不合格的 原先的那个是真的王牌特工吗· 一鼓作气，再而衰，三而竭，系列
各方面都非常讲究，打乌龟主教那段还挺邪魅的。黑各种敌对势力蛮爽的，反正认真就输了。大英神剧不为过😂
我的眼球受苦了。我求求hero不要浪费好皮囊，认真练习演技吧你！
。。。靠性来维持爱情，，别搞笑了吧。。不过十九二十岁，嗯，那就当做可以吧！
messed up in so so many ways
第一部是青春剧有点甜，第二部是成人向有点撩，第三部有点懵，保准等第4季，好口音，好有爱。。。
王牌特工：源起 2022.6.12 和一哥们聊着天、喝着茶，惬意。第一部是带着孩子第一次走进电影院，首都电影院，还记得小家伙不停说“爸爸爸爸，枪”。
这玩意还能拍四部🆘看来老美看玛丽苏的忠诚度不容小觑啊
剧情继续鬼扯 解锁一堆买可乐场景 还是游客打卡式 估计演员都麻了 只好妈妈和叔叔也来do do出了第四部 哦买尬尬尬了 韩国好大儿没告诉你吗 其实还可以拍失忆和癌症 要不直接改A片好了 起码能看看纹身男孩真枪实弹
我以为的男主角：Harris
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