The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
编剧的line太强了！
“We end the year as we begin it, polarized and divided.”🥲
人类从2020学会了什么吗？没有。这个世界还有救吗？没有。
只能说这个OL服装还不错，遇到同样“性”趣的妹子也是运气好
I love annual review and Lucy Liu.
这年头只要看一部剧，能吃的东西就少一种… “没有人从2020年中涨一点教训”
自己给自己黑到家，反正就是不管什么事情都要分两派，从戴不戴口罩打不打疫苗到总统选举，感觉美国人民天天过得跟辩论大赛似的。还不如干脆恢复到南北战争之前的地盘，由驴象两党分而治之呢。的亏是伪纪录片，要是真实的美国早就被玩坏了。
每年的回顾总是在想今年是最垃圾的一年了然而之后的一年总能刷新认知
The first unnecessary man to be in space; submission accomplished;Diane Morgan竟然是最正常的哈哈哈哈哈哈哈
这是要做成系列了吗，如果能有中国版的death to 2021就更好了。
不如2020。没有新鲜的眼前一亮的东西了。
第一句话就是人类从2020没学到什么。如果说有什么遗憾，就是电影里的一些新闻被错过了，真没注意美国还发生过那些事。Netflix也得照顾到自己的全球客户，所以只骂美国，因为骂美国没风险。
如果问人类从过去一年中学到了什么？很遗憾，问题的答案将和2020年一样：没人吸取到一点教训，我们什么都没学到——从《2020去死》到《2021去死》就能看出。影片拍得好，下次不许再拍了——这个系列可以“去死”了。
又一年。nobody ever learned anything in 2020.
没有Death to 2020好看 but为了Hugh叔
Isn’t human race fucked up as a whole and too late to be saved when a streaming platform feels the need to document and summarize all the batshit crazy shits that happened in the past year because they happen more often than should and no one cares any more
这两年发生的事情魔幻到分不清电影里哪些是真的哪些是假的。。
Gemma每句话都讽刺得针针见血，太搞了哈哈哈
用真真假假的刻板印象来拍2021中的刻板印象，也挺有趣的。
已经成为另一种类型的常驻贺岁片了。还是一如既往的套路：伪纪录片的模式，浅显直白的讽刺，荒诞卖丑的受访者，一年各类泛美流行事件的回顾。但比起前作，2021后疫情时代下的美国似乎已经更加疯狂，此情此景和《不要抬头》恰巧形成了互文：娱乐至死的个体、撕裂的社会。
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