With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
虽然是网络电影，但是制作水准真不错，故事情节紧凑，人物塑造的爆满，尤其打斗场面很精彩，确实是一部非常棒的电影！
谢苗第一眼看上去，我以为是刘奕君。帅还是帅的。还有反派三个人太土了吧，长得一点不像黑老大，最土当属老三。
抛开剧情这些不说，打戏真的有小时候看李连杰武打片的感觉，拳拳到肉干净利落。
“你爸巩伟（李连杰），当大陆公安为了几百块拼老命，你这儿子当了人民警察，也延续了优良作风嘛，哈哈哈哈”
精彩，网络大电影的质量越来越高了，短小精悍，不拖泥带水。
过年在家看了一圈网大，就这部还算给力，4星支持下谢苗
动作戏其实也就一般，剧情更是丝毫经不起推敲。还国外名牌大学回来的高智商？但凡脑子正常的人，就不会在没钱没实力关键还没后台的情况下公开聚赌，还威胁几十个商人还把计划公之于众，这不坐等着警察上门抓吗？看到最后才知道所谓海归原来去了国外就被人骗了，根本没上过大学，当了5年外国混子，最后弄个假文凭回来了，难怪想出这么无脑的计划，这倒是使剧情多少能说得通了，因为哥三脑子都不太好使，去年四平青年第三部的名字倒是挺适合这电影，“三傻罪途”。加一星，三星吧。
打斗大多集中局促空间，ktv，赌场，医院，大巴车之类的，比较写实，值得鼓励👍🏻。就是这剧情实在不敢恭维，突然就抓二嫂，后续就一顿武力速战速决……目前豆瓣评分超过了成龙警察故事2013
5.肖老二够彪悍
虽然看起来有点像甄子丹的导火线的感觉，但现在华语电影里能看到拳拳到肉，让人感觉到肾上腺素飙升的动作片已经非常难得了，且看其珍惜吧。
故事平庸，配角们跟谢苗对不上戏，气场差太多，反派没有凶狠劲。医院护士间和公交车两场狭小空间的打戏还是不错，谢苗没的说，打戏漂亮，文戏也行，他演的几部网大有精品，目中无人，辛弃疾。还是那句话，希望国产网大越来越好，精品已经开始变多了。
20211006真的很不错！故事情节简单，但是能讲明白，讲透彻，没毛病，真的很不错了！可以说是良心制作！这比那种动辄好几个亿的国产烂片强太多了！！！
能看出来拍的很拮据 小成本电影 剧情虽然老套 但因为谢苗在 打戏蛮多的 并不难看
非常意外的观影 本来是试音箱随便打开的一部片子却让我跟着看完了全场 谢苗演技在线剧情合理不过分渲染也不无脑 谢谢 我就想看看这种认真拍出来的中规中矩
挺不错的 动作流畅 正好在看武侠剧雪中悍刀行 远胜之
谢苗近期片子有点频繁，但是不得不说并不差，中国式的个人英雄主义类型，能打，做到人狠话不多
小成本网络电影不错，能拍成这样已经很不错了，爱奇艺独播。
打的确实过瘾，剧情简单明了，就是打就完了，有些地方为了爽而爽，逻辑差了点，尤其闹酒局和杀媳妇那里，太能编了，整体很不错，最后打斗是亮点，很有新意。
桃子这广告味道的台词
现在这个社会，小混混小流氓注定不能长久，反腐打黑必须时刻不停！
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