To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)
生活中一部分的美好就是来自于像朗措和老师这样的人 甘于奉献不求回报
开始的时候都不容易，有多少人能坚持住呢？坚持住之后能付出多久？付出之后的回报又何时能见到呢？但是主角见到了，他是幸运的
看了这个电影更坚定了我去藏区走一走的心思，看看大草原，感受那里的风土人情。
由男主一个人将孩子们从小培养到高中也是有点儿不容易了吧，关键是从头到尾我都没看见过书本...
电影里有一些不合理的地方，不过一些小瑕疵不影响电影，是挺感动的，但也仅仅就感动罢了
怪不得韩松这么优秀，人品这么好，原来是因为他有个好母亲，是母亲把他教育的这么好。
电影很写实很容易代入进去，特别是当地的风土人情，真的特别真实，跟着韩老师一起为孩子们揪心
演员虽然都不太叫的上名字但是演技没得说，很自然不出戏，哭戏都绝了，眼泪没停过
老师真的好，处处为孩子和当地人着想，只觉得暖心
越真实越感人，说的就是这部电影吧，人类都是因为真实才被感动的啊！
想到自己曾经的支教经历 确实心灵在那个环境里会得到净化 没想到里面悲剧这么多
没想到赚了我挺多眼泪的，只能说有其母必有其子，妈妈也是很有眼界很善良的一个人
难道男女主的爱情故事就那么伟大吗？至于把配角都写的那么凄惨，但是不能否认，电影总体还可以
老师真的好，处处为孩子和当地人着想，只觉得暖心
拍摄手法还是挺不错的，但是不知道为啥男女主一起看星星，那里居然没有给天空来个特写，不过其他场景还是很美的
一开始朗措给了男主两个鸡蛋那里就挺感人的了，感觉这样的节奏刚刚好，但是后续有点儿太一波三折了
男主演技不错，哭戏也很真实，特别是母亲病危那里，鼻涕都是真实的，佩服了
这部电影已经推荐给朋友看了，没什么惊心动魄，但是平淡中充满了真实，值得推荐
非常不错的一部影片，非常推荐，故事很吸引人。
感谢导演给我呈现了一部如此好的文艺片，最近为数不多上我泪目的片子
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