Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).
The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.
以为承包商就够烂了,这比承包商还烂……无数的时间横跳,导演没有别的技巧可炫了吗?
一个关于爱和选择的故事, 关于纠结和抉择故事,关于救赎和自我救赎的故事。
经典老梗命题:飞机要爆炸了,你媳妇和100个乘客你救谁?
一个为了最爱抛弃了世界,一个为了最爱选择了逃离。
深爱的两个人,因为爱和保护,走上了两条不同的道路。
Maeve! what's he gonna say, yes or no? don't dress him up like he's for real and after all these years she's just a stonecold bitch who loves her kids.
所有情节的刻意和bug都是为了烘托伟大的爱情
谍战片的外衣下,也揭示了人们永远活在自己的偏面里,以及可能为之付出的代价。
侧面反应了美国CIA情报组织内的牺牲品以及恐怖分子是如何成为恐怖分子的。
男主太帅了,唯一的一星打给他。
影片拍的不错,构思挺巧妙,节奏虽然慢但是不觉得沉闷。娓娓讲述了一对间谍凄美的办公室恋情。唯一这个译名:宝刀未老。跟着片子没啥关系吧……
不说本身就隔应这女的,单剧情转折来讲选这么个内外不沾的女主,一点信服力没有。
剧情老套,节奏拖沓; 老阿姨搏命露点,还能更恶心吗?
5分 黑白配的感情戏让人一点感觉都没有,这老娘们50了,而且全片穿插太多了,还双线叙事,麻了,几个场景不是餐厅就是咖啡馆,办公室。更要命的是剧情,男主找内奸,找了半天原来自己是内奸,当年为了救女主。最后女主都嫁人是2个孩子的妈了,暴露身份也不给杀手下命令,不就是还爱着她么,可这爱情戏,我压根入不了戏啊导演编剧。
换个女主譬如JLO我就忍着慢节奏看下去了,餐厅的日落景色真的很漂亮,NCIS夏威夷的酒吧招待员!
一个藏在谍战外壳里的真爱故事,倒叙回忆和出色的氛围渲染,有种末日危情的悲壮底色
希望派以后能接到好剧本。
这评论区中上评都要写的这么隐晦么?情节回顾加反复穿插,这种缝补的手法蛮像《看不见的客人》,整体挺好的。
很无聊的一个故事。弯来绕去,讲了个寂寞。女主50岁还能有如此状态,令人敬佩。
男女主真的很搭配,虽然取材很贴近生活,但总感觉有点勉强,可能是电影表现上的问题
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