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A brilliant and outragously funny satire of society, 7 December 1999
Author: Dave Joerg ([email protected])
"Flodder" is one of the funniest movies ever made and few people realise that it is a Dutch movie made by none other than the Holland version of John Carpenter, the famous Dick Maas, author and director of the thriller "Amsterdamned". The Flodder family is the reincarnation of the term a-social. When the whole family bunch, basically all bastards, criminals and sluts must be relocated from their City slum because of toxic waste under their house, the city council house no choice. The only available space is in the "Zoendal" - the "Sun Valley" the best area in Amsterdam where all doctors, snobs and businessmen can afford to live their lives. And where the central point of interest and politics is the tennis club of the community. The Flodder family brings devastation to the tranquil world that ruled before. They are simply unbelievable. The characterisation is incredibly funny, beginning with Ma Flodder who searches other people's trash cans for food or making illegal liquor in her cellar and ending with the eldest daughter who is the biggest slut on earth. Together they make the most horrible family imaginable, a sort of immoral mirror image to the Brady Bunch or the Waltons. When the City counsel of Amsterdam hoped that the Flodders would show their good will to be more civilised in their new area, it turns out that Holland's most famous family would rather bring out the worst in the rich people of "Sun Valley"-wonderland. The rest is a hilarious, brilliant and well made social satire that can be watched as a provocative movie as well as a straightforward comedy. Dick Maas at his best. I salute him! Flooder was the Dutch smash hit in 1986 and brought two sequels and a tv series. All of the sequels were nice but not as great as the original.
Flodders (1986) is available on DVD in Germany in a dubbed German version in Dolby Digital 5.1. under the name:
"Flodders -Eine Familie zum knutschen"
Why is First Floor Features, the producer of the movie not bringing the Dick Maas blockbusters out on DVD in the Netherlands, I wonder. The are not even available on video there. These movies have so much potential, still to this day and have a huge silent but true following.
不知道大家是怎么打分的，剧场版人物设计一如既往的新颖，但是boss战？压根没有，流水线作业一样看完了，蜜汁剧情。 最没有人格魅力的一部反派了没有之一，甚至连动机都没有就是自己王国要灭了狗急跳墙采取暴力手段，天空上的王国那几个一直在说废话，小新这边冒险连丛林大乱斗都不算，一个敌人都没有，还以为看盗版荒野求生呐，以往都是八分以上，最近几年还是打感情牌，现在还要再想恢复往日高水准真的是我想多了，剧情是硬伤，有了万能蜡笔但是想象力还是内裤，猪猪，牛娜娜子，我能怎么说？跟唐人街三有的一拼，不是因为这是一部子合家欢就可以轻描淡写过去的，奇思妙想战斗没有，爆笑夸张的片段没有，形式大于内容大过头了吧
虽然剧情是比较低幼，但还是蛮欢乐的，最后的定格动画也很赞。
“已经有谁消失了吗？”“没有，没事啦” 听到这句我就突然很难过了，那种无从说起的乏力感好让人难过
绝对能算近几年最好看的剧场版之一
看完说人吧，看完第一感觉还是海德里希那种出人意料的矜持和亲近感，对同事还真各种礼仪相待
人类的痛苦并不相通。
春日部的小朋友可太天真了，你逃过涂鸦王国的迫害之后，还有老板和996呢。这可比铅笔士兵洪水猛兽多了。
中间剧情有点蹦…结尾关于长大的故事，还是很感人的…
善恶不再分明，正邪不再两立，当所有人最后都拿起画笔，开始发自内心的自由涂鸦，影片的主题也在狂欢式的情感宣泄中得以呈现；尽管故事的套路已经大致可以猜到，但仍会被散落在其中的各种奇思妙想所打动，化身“神笔马良”的小新再次肩负拯救春日部的重任，但他所依靠的不只是魔法，更是难以被剥夺的友情和亲情，奇迹蜡笔勾勒出生命，更勾连起一份令人动容的情感，被溶解的娜娜子贡献了全片最让我泪目的时刻——私以为小新剧场版的高明之处，就是并不新鲜的套路里，有一个足够真挚的情感内核。
又一部！，看完不记得蜡笔小新系列！，想象力够了，但剧情太过天马行空和荒诞也不行啊！
这不过是一次会议，能拍得令心动魄实在不容易。还有不少这样的会议，以后也值得拍一拍。
近年最好的一部蜡笔小新剧场版。奇迹蜡笔画出来的娜娜子/隔夜底裤/不理不理左卫门
十几个纳粹高级头目用“会议”屠杀了600万犹太人
如果不看字幕，视觉上就是高大上会议室里一圈体面人～甚至仪容不俗制服笔挺到养颜的，正举止庄重地围桌说事儿～可看清楚内容后，吓倒数字盲，总数1100万！精确到每小时后“处理”，目前保守又高效是：938！如果引入毒气，一天一货车，还不血腥……最倒反转的是部长法学博士，讨论混血时差点显出慈悲，然而提出代替杀戮的方案是：绝育！德国人能冷静拍出这样的影片，算从灵魂深处反思了。
这个五岁的幼稚园小朋友，又一次给人以温暖。
美伢担心小新，娜娜子和不理不理左卫门。
一场令人毛骨悚然的会议。因为是历史，观众早已知道结局，甚至过程。作为电影，失去了最基本的冲突性元素，显得尤为平淡。
台词密度极高，张弛有度，演员演技都在线，看的我生理性反胃，太可怕了。看很多二战反犹电影都觉得观众都是被外置的旁观者，这部电影算是把这种旁观者视角极大化了。
在看这部电影之前，我推荐另外一部电影《恶魔的崛起》。
肥嘟嘟左卫门是小新永远的英雄啊！
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