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A brilliant and outragously funny satire of society, 7 December 1999
Author: Dave Joerg ([email protected])
"Flodder" is one of the funniest movies ever made and few people realise that it is a Dutch movie made by none other than the Holland version of John Carpenter, the famous Dick Maas, author and director of the thriller "Amsterdamned". The Flodder family is the reincarnation of the term a-social. When the whole family bunch, basically all bastards, criminals and sluts must be relocated from their City slum because of toxic waste under their house, the city council house no choice. The only available space is in the "Zoendal" - the "Sun Valley" the best area in Amsterdam where all doctors, snobs and businessmen can afford to live their lives. And where the central point of interest and politics is the tennis club of the community. The Flodder family brings devastation to the tranquil world that ruled before. They are simply unbelievable. The characterisation is incredibly funny, beginning with Ma Flodder who searches other people's trash cans for food or making illegal liquor in her cellar and ending with the eldest daughter who is the biggest slut on earth. Together they make the most horrible family imaginable, a sort of immoral mirror image to the Brady Bunch or the Waltons. When the City counsel of Amsterdam hoped that the Flodders would show their good will to be more civilised in their new area, it turns out that Holland's most famous family would rather bring out the worst in the rich people of "Sun Valley"-wonderland. The rest is a hilarious, brilliant and well made social satire that can be watched as a provocative movie as well as a straightforward comedy. Dick Maas at his best. I salute him! Flooder was the Dutch smash hit in 1986 and brought two sequels and a tv series. All of the sequels were nice but not as great as the original.
Flodders (1986) is available on DVD in Germany in a dubbed German version in Dolby Digital 5.1. under the name:
"Flodders -Eine Familie zum knutschen"
Why is First Floor Features, the producer of the movie not bringing the Dick Maas blockbusters out on DVD in the Netherlands, I wonder. The are not even available on video there. These movies have so much potential, still to this day and have a huge silent but true following.
8.1分，基于历史的小说编的很不错，电影也很不错
电影挺精彩的，虽然是杜撰，但还是有很强的代入感。有点美化张的感觉。保罗才是真正爱国的人，键盘侠们看看吧
多一星给摄影。我一直都还蛮喜欢这种手持加快切的胶片色画面。
Jannis也太帅了，上一次看到他还是科里尼案里的纳粹，果然德国演员👍
现在电影质量都一般了，这个还让我找回了点感觉
为张伯伦正名，慕尼黑协议被解释成为牺牲个人名誉换取备战时间的战略决定
没有特别抓人，层层逼近的危机紧迫张力不是很足，也缺少那种政治大戏的质感。
这难道不是正常的离岸平衡操作吗？这是导演自己的戏吧。马其顿防线的作用就是，先让它有点用，然后成了一个连路障都没起到的摆设。
洗白张伯伦？赢得了蛋的备战时间，法国为什么投降？敦克尔克大撤退。为最后的结尾扣三星
已然没落的当年世界老大对没有及时制止纳粹的托词
这种历史架空剧就有种天真感，编的故事经不起逻辑推敲，呈现紧张感的方式也比较单一，不停晃镜头以及歇斯底里的对话。。。不过Jannis真的帅，某些角度像阿兰德龙。。
在这样的洪流背景下，塞入两个足以改变历史的虚构角色，让我们旁观为我们叙述。不论当时张伯伦这么做是恐惧懦弱还是知道自己会成笑话的牺牲还是为了撕开希特勒虚伪的做派，他拖延的这些时间真的救了英国，不管是不是为了美化历史，八十多年后来看当时的事，为了自己的国家他做了很多，也只能这么多
所以真正的邪恶不是人本身，而是权力本身，无论是任何人，在拥有了最大化的权利之后，都会让心中小小的恶念膨胀起来。
情节不算特别精彩，四平八稳的历史同人，不愧是《王冠》导演，最大看点和亮点不是两个年轻的主角，而是杰瑞米艾恩斯饰演的张伯伦，毕竟以他的立场展现慕尼黑会议的影视作品并不多。
他没有资格杀掉希特勒，的确，希特勒在那时也是德国乃至整个欧洲问题的集中反映，现在大家都说自己是反法西斯了，那个时候不到万不得已谁又想撕破脸皮。历史终究不是一个个鲜明的观点和对立面。
牛津毕业的二位同学为挽救和平而努力奋斗，但没有效果。
这没想到这么烂，再精美的服化道也掩盖不了剧本的弱智，不知道是原著小说的弱还是改编的弱，种种不符基本逻辑、违背常识的弱智场景看得让人尴尬要死（您干嘛不再喊大声点“我要刺杀希特勒”），“夏洛特小姐”和老戏骨们也救不了这烂戏，俩男主角除了长得好看演技也是令人尴尬，一个面瘫一个“马景涛”。。。
唯一露怯的就是希特勒的描写，演员的因素特别大。在该有张力的地方演员没有演出强迫感，使得对手的紧张显得有点莫名其妙。找不到特型演员，至少找个气场强的吧……希特勒的压迫感还没有护卫队的队长强。
历史很难被一个小人物改变，但每一个小人物改变着历史。似乎会有一个偶然，能撼动了进程，但其实，历史的车轮仍旧按照它固有悠的节奏，轰隆隆的疾驰而过，没有半分停顿。是历史选择了希特勒，也选择了张伯伦，选择了丘吉尔罗斯福和斯大林，没有他们这段人类的浩劫，也不可避免。
execuse me？导演拍这部电影完美诠释啥叫普信没有国界
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