With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
以未来人工智能背景的故事，吸引自己不停看下去，但是有点“你的名字”套路，还有点“夏日大作战”的味儿哈哈哈总之是一群高中生为梦想为朋友冲动挑战酸酸甜甜的故事。最后结尾真是有点出乎我意料非常宏大的脑洞。似乎表达的还是赞扬创新的生命力，很阳光，很正能量。这个监督的动漫还是一如既往的制作优良，画风清新为了这一点，值得一看。
看到腳本有大河內本來還擔心了一下，果然有人管他還是正常的（劃線
和《真心半解》之间差了十个《爱意，绽放》吧。
大熊猫为了多分一口食物会假装怀孕。
十分的lgbtqia+，这在米国也是小众电影啊。。。
虽然但是aj小的时候就好可爱，我更喜欢长大的加比（狗头）
小甜饼，除了看不到两个人的crush都中规中矩。
AI妹子太可爱了吧！就是突然唱歌有点尬，很治愈的片～
其他剧情和台词也太...呃...女主妈妈很酷很好，就是过开放了吧.....
Another girls' movie. Really beautiful actresses.
美国高中作业太少了，慕了，大家都闲得要么参加课外活动，要么参加party，谈恋爱，苦恼爱谁，生活简直多姿多彩，此片就是全员没有恶人，挺好。
跑直线是三个女孩唯一能干的“直”事 最后高光时刻谁给Paige画的妆 ？把Paige搞得像得了黄疸 练田径的女孩都好有力量
很久没见过穿搭精致的人类的结果之一，就是连这种青春甜蜜百合片都觉得甜度爆表。说起来，好像一百年没有过crush了，好他妈羡慕啊！
打低分的是还没受够阴天海边两个孱弱忧郁的女人偷偷相爱然后被男人拆散的故事吗 我就爱色彩缤纷的无脑甜剧 今年的无脑青春拉片目标实现
THE lgbt teen romcom I’ve been waited for!
OMG女通讯录终于能看点老套但轻松可爱活泼有趣养眼的青春校园片了🤣
看完脑海内突然浮现一句：迪士尼在逃公主...
天呐 姬仔终于也有这种“可爱但无聊”的青春片了 流下姨母泪🥲
轻松愉快的酷儿校园恋爱 女主妹妹真的很像陈好
我们总会遇到一些能点亮我们生活的人，但最终也会发现，这些人也许只适合让我们仰慕
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