Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
被科普了一些篮球知识，被安利了篮球比赛，人物形象很可爱，讨娃喜欢，语言表达生动有趣，让娃哈哈大笑，一出电影院就说还想再看电影。
果然还是做了修改啊，太温柔了（赶紧全部重制一遍吧！）
就……能看，不过我对题材实在无感，后面有个小孩一直在吵吵，说了一句后安分很多
本来是挺好的电影，但是有点被过于夸张的安利诈骗之感，整体还是子供向电影，不适合成年人观看
相比筐出动画进一步脱离了原ip，更像是套用了几个重要角色人设另起炉灶的动物版灌篮高手，但子供向原作和新题材的排异反应依旧不小，剧情在幼稚和深度之间摇摆，就看官方如何取舍了，总的来说是一部梗足，致敬颇多且画面贼帅的篮球动画，新角色的人物弧光显得有点不足，但人家就是梆帅……
童年回忆，电影再烂，情怀还在，时隔7年再上映电影，还不错
和她看的第一部电影
几个熟悉角色的新声音听着稍微有点违和，不过不影响
单纯论效果的话，给个三星可以了，横向比较春节档的话，能给个四星。一大堆的灌篮高手梗和NBA梗，这是给80后的动画
看之前看到了本片的恶评以及票房惨败的新闻，本是带着批判一番的心态去看的，但真的看完本片却觉得不错。尤其最后引爆的核弹在地球上空化成六朵巨大的烟花，这是多安送给孩子们的礼物，让我感受到了安彦良和的浪漫，最后白色木马在多安岛上回旋一圈，白色木马上的孩子们和多安岛上的孩子们，多安和阿姆罗，引擎的热风掠过多安，吹起多安的t恤，两种不同的人生在战场上相逢，战争是残酷的，温柔也是残酷的。但是我由衷的觉得本片的配乐有很大提升的空间，以及安彦舞台剧般夸张
喜儿真的帅
这部片你会看到姚鲨大战，格林更衣室矛盾，艾佛森晃过上帝，甜瓜经典庆祝动作，白巧盲传，隆多假动作，库里极限三分，乔丹对战艾佛森，科比经典后仰，詹姆斯钉板大帽，奥拉朱旺梦幻步等。有致敬有玩梗，当然也有点热血。篮球已经很久没碰了，但是能在这一部儿童动画电影中再次看到曾经为之疯狂的名场面，有跨越时空般的感动。
风格作画值得称赞，作画过渡实属上乘
我们已经相识五千多集了
只希望奥飞对旗下作品制作方的控制能够少点
有点燃让我想再去刷黑子的篮球
三点五星，还有一点五鼓励！鸡汤拼凑的内容只给一点五星，其他都给镜头和科普式炫球技，真的尊重路人，我完全不懂篮球，两处回放解释真的很友好，否则我还以为是超能力。很开心在b站看，弹幕笑死我了。原本不觉得，我现在有证据怀疑自己也许是福瑞控。
还TN的怪好看的，懒羊羊变三井寿，灰太狼成特么樱木花道了。
剧情无话可说，懒羊羊妈妈爱你，画风真的超级燃
其实就是0079一集单元剧的扩充，剧情多了许多细节罢了，但我还是蛮喜欢的，毕竟谁不爱看白色恶魔乱杀呢（什，而且这个有德还蛮可爱的，像真实的19岁
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