Set in an unspecified French village, the locals are shocked when a group of girls skinny dipping in the nearby lake (all very tastefully done I hasten to add) are killed by a group of zombiefied Nazi soldiers, that spring up out of the waters and drag them down to their demise.
A couple of detectives are brought in to try and solve the mysterious murders, only to end up as the zombies next victims. It turns out that during the war, the French resistance ambushed and killed a squad of German soldiers and dumped the bodies into the nearby lake, but failed to take notice of any of the local superstitions (never a wise move). Although, seeing as this film appears to be set in the early 80's, why it's taken so long for them to emerge and start killing people is a bit of a mystery, but there you go.
Not-with-standing, the villagers quickly organise a lynch mob to take down the zombie menace, only to end up being decimated by the undead soldiers, who's 'convincing' zombie make-up basically consists of green paint, which doesn't even cover the whole of the actors faces and keeps washing off in the lake.
There's also a bizarre sub plot about one of the zombies visiting his former daughter, who strangely still looks all of 12 despite the fact she should be in her 40's if she was born near the end of the war, but then since when did logic ever come into these films? Such as why do their uniforms still look almost new despite being underwater for 40 years, or how come the skinny dipping girls are only knee deep in the water when viewed from the lakeside, yet appear to be swimming in 12 feet of it from the underwater shots?
Bad acting, naff zombie make-up (the aforementioned green face paint), painfully obvious underwater shots filmed in a swimming pool, not to mention the plot inconsistencies bigger than the aforementioned lake itself. Low budget doesn't even begin to describe this film, which quite unbelievably was directed by respected Eurohorror director Jean Rollin, albeit under the pseudo name J A Laser.
That's not to say the film isn't without merit. I bust a gut laughing at the thoroughly ridiculous scenes of the zombies attacking the naked young girls, and the equally ridiculous slapstick battle with the angry villagers. Utterly hilarious, grab the six pack and the popcorn and have a blast!
《小兔的问题》《萤火虫女孩》《小火车》《蒯(kuai)老伯糖水铺》《哼将军和哈将军》《外婆的蓝色铁皮柜轮椅)》《翼娃子的星期天》
如果恋爱只是分享了人生甜蜜的那一半 分别怎么会撕心裂肺 还好小松菜奈说这是虚构作品 不然原作者是真的太可怜了
最近看的几部日本电影都好碎片化 跟微电影似的 不过他俩真的好配
死前也想好好恋爱一次的绝症花季少女。催泪片，可惜拍的极其平庸，有点对不起原著。
感谢大陆的绘本作者，动画电影人，监制等辛勤的付出，中国的原创动画还是会有美好的愿景。
有两处快要落泪的地方，一是小火车里孩子努力的站起来，爸爸妈妈说我们就在你身后；二是最后一个片段，菜市场里的孩子们在各种条件下努力学习。
剧本一般，框架命题里中规中矩的表达，但导演和演员真的一骑绝尘，不靠戏剧技巧完全是情感和氛围打动人。 未实现的梦，对生的渴望，对死的无力。 其实是一个非常有性格的女主，只是现在非常白描的拍法没有呈现太多。
画风不同的七个小故事，却一样温馨和温暖。
真没想到2022年在影院留的第一滴眼泪，竟然是《向着明亮那方》！为这些独立动画导演们疯狂打电话，多加一颗星，值得鼓励。
不好看，剧情很简单，男女主相爱铺垫的好少，但是剧情又很拖沓，浪费我两个小时，单纯看颜可以，小松很美
7个不同地区的小故事，用方言演绎了七个不同的亲情故事。完全有别于其他动画片风格的手绘画风，蛮有特色创意。而将动画、神话和现实虚实结合，从孩子和成人的不同眼光，都能找到其中的乐趣或是怀念。
女友非得拉着我过看首映，进影院之前，以为她就是幼稚，非要看动画片；哭着从电影院出来的时候，才知道是我幼稚了！虽然是一部动画片，但绝对是值得大多数成年人也来看一看的好电影！7个相互独立的故事，一以贯之的主题呈现，让影片有了一种“越看越入迷”的感觉！真好，坐等15号上映，准备二刷！
这种绝症爱情片要能看得下去，还是得女主角看得顺眼，情节啥的基本不大会有新意了。
故事讲得平庸也不耽误我看俊男美女。但编剧和导演还是得好好反省！！！
暴饮暴食一顿之后答应了他的交往请求 觉得自己时间不多了之后又提前离开了他 其实喜欢的话就多在一起一点就好了 反正最后的结局都是面对离别啊
亲子观影的不二之选！影片以童真稚气的配音、手绘童话的方式，贴近幼童认识世界的角度，实现幼儿“爱”教育、传递正能量。对于成年人也是不错的放松佳片，故事氛围轻松、美好。故事中可爱的兔兔，真的像极了当年犹犹豫豫、期待长大，又依依不舍的我们。看到蒯老板睦邻坚持营业的糖水铺子，特别想去影院附近的茶冰厅点上一份椰汁西米露，感受那份旧时光。……每个故事背后都蕴含着以爱为主题的为人处世方式，用一个中国字概括的话，我想说是“仁”。
算是理解为什么给分如此之低又算比较热门 俊男美女和绝症 确实很配 但确实一点看下去的欲望都无 说是白开水都有点过誉的程度
很温暖的动画片，适合全家一起看，没有说教意味，但又能让孩子感受到一些温暖的正向的东西。
故事可以想象的煽情 但导演没让这故事矫揉造作 坂口健太郎和小松菜奈都太适合角色本身了 就像是他们的故事一样 看完如鲠在喉 想念东京 想念年轻的自己
日本爱情片的暧昧感
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