Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.
Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)
As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.
The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).
Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
感谢#小丸子观影团# 组织观看#小虎墩大英雄#“孩子能在虎墩身上学会不少东西”电影有笑点，有泪点，故事中展现的国风江湖还很有燃点，非常适合全家在春节期间走进影院一起观看！
都去追冰墩墩了
陪孩子看的，拍的很不错，对孩子很有启发，值得一看
开头节奏有点慢，但是很快就进去剧情了，看到虎墩哭的时候旁边一个小孩哭了好几次，搞得我也想哭，沙尘暴的那段真的绝了，这脑洞，没看过抖音，听说有抖音号，准备去刷了看看，被小胖子圈粉了
如果还要拍第三集，那只有四个字概括——世界疯了。
邹四火，你这个片子放十年前还行，现在看没有进步，你团队的人都是技术出身，从导演到你，上一部豆福传就是故事出的问题。这次好一点，至少不乱。你动画定位有问题，要么给孩子看，要么给成人看。你用动画的壳做的成人故事，又怕孩子看不懂，拉低了成人片的思维。好好找个编剧，猴哥的编剧不适合动画题材。这个片子没有他的影子。还是把心思放在故事上吧。国漫已经崛起，这个水平还真不太行。你做大IP改编吧，像阅文，幻维一样。这部戏投资人肯定是亏钱了，你们团队还好。继续努力吧，别老思维了。
开头就笑死，抢亲和红山猪那段，哈哈哈！🤣🤣🤣
及格吧，小朋友看得很开心。本人觉得一般，画风剧情有待加强！
可爱的小朋友作为男主角讲故事。希望以后多一些中国故事的国产动画。
比预期的好看顺利太多了，看来不抱期待的看果然会有惊喜
给小侄女放，自己也跟着看，就孩子看着挺开心
普普通通。毫无亮点，没有任何故事线，卖点梗就想出电影，结果出了点成绩，就开始圈钱，热度还没搞起来就开始玩电影，别闹了，全宇宙都出电影，搞又搞得四不像。别出来吓人了。
挺好的啊 分镜好棒 剧情流畅 和亲戚的小孩看的都嘎嘎乐哈哈
毕竟现在新朋友心智成熟的飞快
适合过年看的合家欢电影，就是小虎墩的建模看起来比实际年龄要小很多。性格上有熊孩子的地方但也有纯粹的真挚。音乐和布景都很好， 沙漠那段很喜欢。反派设定还蛮有意思，确实有笑到我（还有那段突如其来的日语）。剧本不错，故事讲得很完整，比起白蛇生硬的转折、大鱼海棠令人无语的后半段，这个故事相当可以。但因为题材、时限原因所以做的比较可爱简单，能感觉到剧本可以做更有深意的。总之比我预期好很多。镖师的牌子这个线索设计也很好，父母和杨镖头两次离身的对应，很喜欢这个线索。
一般般，没啥劲，中年大叔的脸是咋回事一直肿着太奇怪了。
小虎墩的形象设计很成功，因为是非神话原创，必须支持
虎年讨个好彩头，看了可可爱爱的小虎墩，同时也是一个有情怀有梦想的小男孩，很不错哦
简单轻松趣稚 中国动画片的水平 真的好些了
春节想着带两侄子去看动画片，笑着笑着反倒把我给看哭了，影片超出预期的好看！故事情节很紧凑，两孩看得很专注。虎墩大战黑大王那段两孩甚至跳起来拍手大声叫好…值得推荐！
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