人肉上海摩尔人事件 高清

评分:
9.0 推荐

分类: 记录片 2011

导演: 索尼娅·孙

剧情介绍

  In the wake of the 2015 death of Freddie Gray in police custody, Baltimore was a city on the edge. Peaceful protests and destructive riots erupted in the immediate aftermath of Gray’s death, while the city waited to hear the fate of the six police officers involved in the incident, reflecting the deep divisions between authorities and the community -- and underscoring the urgent need for reconciliation.
  Directed by Sonja Sohn (one of the stars of the HBO series The Wire), Baltimore Rising follows activists, police officers, community leaders and gang affiliates, who struggle to hold Baltimore together, even as the homicide rate hits record levels, and explores how to make change when change is hard.
  The strife that grips Baltimore following the death of Freddie Gray exposes longstanding fault lines in a distraught and damaged community. Baltimore Rising chronicles the determined efforts of people on all sides who fight for justice and work to make their city better, sometimes coming together in unexpected ways, discovering a common humanity where before they often saw each other only as adversaries.
  Among the key figures spotlighted in Baltimore Rising are:
  Genard “Shadow” Barr (community leader, former gang member) is an addiction recovery specialist at the Penn-North Recovery Center, where he also helps organize a reentry jobs program for community members. Bridging the divide between police and residents of the Penn-North area, he works with all parties to mitigate violence. Barr is now working to open an entrepreneurship and job training center in West Baltimore.
  Commissioner Kevin Davis has led the Baltimore Police Department since 2015. He took over as interim police commissioner in the aftermath of the uprising and surging violence, when the mayor fired previous commissioner Anthony Batts. A lifelong Marylander, Commissioner Davis is a 25-year veteran and fourth-generation public safety professional. He was faced with repairing public trust in the department and stemming a rising tide of homicides amidst the trials of his six officers.
  Makayla Gilliam-Price (activist) founded the youth justice organization City Bloc as a high school student. She also organizes with the grassroots think-tank Leaders of a Beautiful Struggle.
  Adam Jackson (activist) is CEO of the grassroots think-tank Leaders of a Beautiful Struggle. His efforts are aimed at connecting young people to public policy and creating transformative change in Baltimore.
  Dayvon Love (activist), director of public policy for Leaders of a Beautiful Struggle, has deep experience with grassroots activism in the community. He has given numerous speeches and led workshops to give insight into the plight of its citizens.
  Kwame Rose (activist), an artist, writer, musician and public speaker, gained notoriety during the uprising that followed Freddie Gray’s death for his public confrontation with FOX News reporter Geraldo Rivera. Arrested during protests outside the trials of the police officers charged in the Gray case, he recently accepted a position in the office of Baltimore Mayor Catherine Pugh.
  Lt. Colonel Melvin Russell, chief of the Community Partnership Division, Baltimore Police Department, joined The Baltimore Police Department (BPD) in 1979 as a police cadet. He worked as a uniform patrol and then an undercover officer for 20 years before becoming an Eastern District Lieutenant in 2007. Recently he led the BPD’s chaplaincy program and worked cooperatively with such community leaders as Genard “Shadow” Barr to support a reentry jobs program and prevent another uprising during the police officers’ trials in the Gray case.
  Dawnyell Taylor (police detective) has been with the Baltimore City Police for more than 16 years. In 2015 and 2016, she was the lead investigator in the Freddie Gray homicide case, and testified at the trial of Officer Caesar Goodson Jr., who was charged with Gray’s murder. Taylor continues to serve in the police academy in Baltimore.
  The executive producers of Baltimore Rising are Sonja Sohn, Marc Levin, Anthony Hemingway, George Pelecanos and Mark Taylor; producer, Nathan Mook; supervising producers, Daphne Pinkerson and Kara Rozansky; directed by Sonja Sohn. For HBO: senior producer, Nancy Abraham; executive producer Sheila Nevins.

评论:

  • 卫浩祈 9小时前 :

    🎬

  • 奉同方 3小时前 :

    《罗马》蹩脚的模仿品,想成为阿方索却摸不到精髓,可悲又可怜,观感也是食之无趣,嚼之无味。

  • 嘉嘉 3小时前 :

    给我家孩子来评一评,必须给五星,很喜欢看汪汪队,家里各种玩具都堆满了

  • 以鸿羲 3小时前 :

    每个导演心中都有一个《罗马》,但肯尼思·布拉纳并不是阿方索·卡隆。

  • 寸雅逸 9小时前 :

    最後半小時開始發力——Buddy和爺爺的對話、Buddy和奶奶的對話、媽媽和爸爸的對話,劇本寫的真好。近年英美作品看得比較多的是選擇不移民的(體現Community文化)以及新移民的不適,其實選擇移民前的糾結、對故土的眷戀,是最迷人也最心碎的狀態。小男孩表演很靈動,媽媽演技大爆發,Dornan一如既往的帥,爺奶穩(特別是Dench結尾處的Don't Look Back),希望拿下SAG群戲。

  • 卫丽丽 8小时前 :

    比预想中好看很多啊!最后全员出动的时候真的很燃。那个reporter居然是jimmy kimmel也是意外之喜

  • 敖羡丽 4小时前 :

    理解这部电影的关键不在于了解爱尔兰那段新教旧教的斗争,而是在于明白这是一部以孩子为视角的半自传的故乡电影。具体呈现在分裂的结构、错误的大人视角以及各种设计性很强的片段,每一个场景和戏就像是导演记忆里的碎片,其中链接性不强。同时其小孩视角并没有像乔乔兔的异想世界一样专注,反而架构在如此有戏剧性的大背景下,之后还想用“精致”的视听拍着辛德勒的名单的故事。影片并不现实也不理想,这让前后的风格很不统一,伴着各种设计性很强的桥段会让人游离与故事之外。半自传最大的优势在于真挚的情感,比如爷爷奶奶出现的每一场戏都很出色,虽然表演赋予了大部分生命力,但这一定是真实的演绎。总的来说,导演整拧巴了,黑白滤镜成了减分项,不差也不优秀,构图调度变成了抒发孩童天真的障碍,唯一可供回忆也只剩在了音乐中……

  • 卫娅娜 0小时前 :

    这个是真正展现了那种影像的泛滥和不加节制典型案例,原本幽闭狭小的私人记忆不停地被精美的大远景构图切断,堪称无病呻吟的典范 作为戏剧大师何不考虑做成先锋戏剧呢

  • 商巧风 0小时前 :

    就好像那些拥有远离故土的勇气又有将记忆中的黑白讲述出来的能力的孩子,童年时代一定都受到过伟大影音的影响似的。

  • 婷花 5小时前 :

    除了莱德的发型太丑了 其他细节都不错 娃喜欢

  • 占熙熙 0小时前 :

    比起之前的任何大电影都好看3岁小侄子认真看到尾。

  • 博翰 7小时前 :

    本来只是觉得华而不实,一看评价,竟然之前有将至类比“罗马”的,还好没提前看到,不然这个落差太大了,观感就更一言难尽了。电影讲的是北爱尔兰首府贝尔法斯特的一个街区在宗教对持中的一段景。故事拍得中规中矩,镜头凹气质凹得很足,可惜内容撑不起来,类比罗马除了黑白凹造型镜头,应该也有对童年街区的回忆吧,就这回忆就真的只是回忆,有影像没想法,一切就在面上的那些了。

  • 康俊豪 9小时前 :

    理解这部电影的关键不在于了解爱尔兰那段新教旧教的斗争,而是在于明白这是一部以孩子为视角的半自传的故乡电影。具体呈现在分裂的结构、错误的大人视角以及各种设计性很强的片段,每一个场景和戏就像是导演记忆里的碎片,其中链接性不强。同时其小孩视角并没有像乔乔兔的异想世界一样专注,反而架构在如此有戏剧性的大背景下,之后还想用“精致”的视听拍着辛德勒的名单的故事。影片并不现实也不理想,这让前后的风格很不统一,伴着各种设计性很强的桥段会让人游离与故事之外。半自传最大的优势在于真挚的情感,比如爷爷奶奶出现的每一场戏都很出色,虽然表演赋予了大部分生命力,但这一定是真实的演绎。总的来说,导演整拧巴了,黑白滤镜成了减分项,不差也不优秀,构图调度变成了抒发孩童天真的障碍,唯一可供回忆也只剩在了音乐中……

  • 崔和豫 4小时前 :

    It’s imperfect, but quite sentimental.

  • 声黛娥 9小时前 :

    1、看来看去觉得相比于其他影片,这部影片评分还可以,于是匆匆买了票,到了电影院发现,除了我们全是带娃的来看的,娃还不超过五六岁。2、电影院座椅特别舒服,把自己想象成幼儿园小孩子,还是可以看完的,也没有特别无聊。3、也算是次神奇的观影体验了。

  • 华龙 3小时前 :

    人物刻画和TV版完全不一样,人物扁平,故事中二。黑发莱德变雀斑棕发白人,一些无语。

  • 弦涵 1小时前 :

    乡,是那每日钻过的栏杆,是带球晃过的小巷,也是硝烟弥漫的铺户。至于家,是吾心安处的亲人,是终将思念的篱笆。又是一出导演的私人回忆,远在海角的贝尔法斯特,六十年代的信仰纷争。过多响起的配乐不是什么高章的表达选择。光的质感与同类型黑白影像《罗马》相比粗陋不少。

  • 夫雨文 4小时前 :

    味精加多了 但奶奶诚不我欺 最后奶奶慢慢走到门口发现他们上了巴士在门口默默目送的短短一分钟(不包括那个莫名其妙的大特写) 就是全片最好的一分钟

  • 寒馨 0小时前 :

    第一次带儿子看电影,挺酷炫的,情节啥的OK,阿奇克服被遗弃的阴影在朋友们的帮助下找回勇气,贝贝的形象令人印象深刻,汪汪队比得上什么钢铁侠蝙蝠侠了…真的土豪。

  • 建安祯 8小时前 :

    一个少年眼里的贝尔法斯特街区故事。面对宗教冲突和暴行,孩子眼里的街头暴行,社区交往,校园初恋,父母爱情,家庭教育。让观众看到善良正直的一家人和贝尔法斯特60年代的生活环境。

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