Ten years ago, Ginny (Toni Gonzaga), an Architecture student, and Marco (Piolo Pascual), a History professor, began a one-of-a-kind and unpredictable love story. In the five years that they were together, they brought out the best in each other, which included Marco's unrealized dream of becoming a chef. Together, they worked towards their dream of opening up a restaurant, but when Ginny realized her own pursuits were different from his, she rejected his wedding proposal and left the country for a Masters degree in Architecture. At present, Ginny co-owns a one-stop Architecture and Interior Design firm specializing in Restoration. She receives an email from Marco, which was written and sent after their break-up, meant to be read four years later. It makes her feel even more regretful of leaving the love of her life. When their firm receives an offer to restore an old house into a restaurant, she is ecstatic to learn that Marco will be co-owning the restaurant. She takes this as a sign...
还行吧，爆米花电影，说女版大叔那可太抬举这部电影了，女主角的小单眼皮分分钟出戏啊，打斗的重力感还行，至少能看，反派为啥都这么话痨➕变态呢？
剧情经不起推敲…朴素丹好飒，动作戏和追车戏还行，BGM奈斯！
宋清晨在酒店楼道那一瞬还真有点加里·奥德曼的影子。
节奏很好的一部商业片，最后貌似还给第二部埋了彩蛋，挺好，挺好。
简单直接，坏人够坏，好人够好，其他的也没啥。
大半夜的本想看个开头就去睡的，没想一口气给看完了；以前流行大叔配萝莉，现在变阿姨配正太了~不过朴姐姐可真是又酷又飒！虽然桥段俗套没啥营养，可看着就是爽，而且音乐是真好听......
3岁小朋友很喜欢。本来就是低幼向，因为低幼打低分也太奇怪了。
标准商业片，结尾很完美 其实我觉得就这样牺牲也可以。小男孩很萌。
一顿胡来，为什么总要把脱北者描绘成无敌悍将？相比《大叔》，力不从心了许多。
追车戏还行，剧情就各种似曾相识，还没抄好，又降智又狗血，女主造型离俺的审美也偏远。。
朴素丹最后一个镜头是因为落水太久泡浮肿了么
剧情挺俗套的 但是动作戏和音乐都非常带感 朴素丹很不错阿 反派黑警有点这个杀手不太冷的反派的感觉 最后咋活下来的没弄懂
说是女版《大叔》，但老实说我不喜欢这种立意。干活就该干的漂亮，参和别人事最后导致家破人亡图啥呢？你以为你救了一个小孩，但你牺牲的是多少人的命啊，何必呢？所以这片子就是在扯
一顿胡来，为什么总要把脱北者描绘成无敌悍将？相比《大叔》，力不从心了许多。
真的没什么看点，除了神乎其技的飙车技术。没场面、没人物、没高潮。
看到萌鸡妈妈和宝宝分离小家伙哭的稀里哗啦出乎意料地好，编剧水平超过95%以上投喂给成年人的国产电影。
非常人贩+这个杀手不太冷+大叔=二星。混搭套路商业爽片，问题是姿式多，却草草了事。车是撞坏了不少，动作戏却少的可怜。浪费大爷我时间，妹子挺不错的，唯一亮点。
这个女司机不太冷，宋清晨连衣服都和加里.奥德曼同款
韩国版《玩命快递》，只是将郭达换成女人，舒淇换成小孩而已。
融合了飙车，动作，追捕等多种卖座元素，可到头来只记得反派大叔
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