With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
笑点是很多的，但是好像不够深入，只能get到一点皮笑肉不笑的感觉
不知道跑到哪的一个野球场揪出来一个比普通人身材凸出的人让他去打NBA是为了凸显这个球探的慧眼吗？这还不是最扯的。最扯的是找个纯黑人演白人和黑人生的孩子，而且那个妈还没孩子黑。
挺好的，这部片很多梗皆符合人性 天性，不像许多电影非要遮遮掩掩，违背天性假正经
惡搞超英喜劇，有些爛俗梗有些沒必要，但有些地方就真的好好笑
超级开心爆米花，
选择相信眼前所见，做当下所以为正确之事。活得具体而鲜活，不论旁观者，总归对得起当下的自己。不妄论过去未来。
6.5.剧情比较水，几乎全靠玩梗和无节操搞笑驱动全片。恶搞一堆超英的确爆笑。没搞懂男主、妹妹、喜欢妹妹的好友和妈妈到底什么人物关系？法国周星驰演技不错。
观感很棒，笑到肚子疼，把主流超英片都恶搞了遍，最后吸尘器的植入暴击一笑
吸尘器的广告，简直就是天作之合，我以为这只是个梗，没想到一直到后面都会表现
本质上还是一部恶俗喜剧，恶搞了大量的超级英雄，像车这种恶俗的桥段，一出现就会猜到之后肯定会用，最厉害的还是吸尘器广告的植入。
蕴含太多梗了，难得的看外国片能笑的如此开心！
好莱坞拍运动励志片有一套！虽然是老套剧情，但是节奏与运动感都拍出来了！
为0分，那么50分是什么样的？60分、70分、80分是什么样？
好看！谁说的来着，还是要保持观看运动番，在理在理，我爱运动竞技片！
7，没有团队的前面几部好看，但依旧脑洞大开，高能不断，最惊艳到我的是前女友那段。其实我觉得这部已经收敛不少了，之前的没节操多了
让大家乐一乐
每一个套路你都能预料到，但是体育精神恰好弥补了其中的不足。最为有趣的部分是大量熟悉、不熟悉的NBA球星的露脸，算是近几年不错的体育类电影。
恶搞各种各样的超级英雄
法式幽默+法式恋爱，处处隐含了小心机，比如假面舞会回忆一个是迈克尔杰克逊，一个是小男孩，然后相爱了。#20220622
非常套路，作为爽剧观影体验还是不错的。阵容华丽，堪称NBA宣传片。为啥76人主场大帝不出场，詹皇请不动吗？
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