Synopsis
"Falsely accused as the murderer of my own husband... Oh, the cruel machinations of fate!" A female teacher (Lee Yong-ae) gives shelter to an escaped convict, but her husband, misconstruing her intentions, reacts violently and accidentally stabs himself to death in the process. The teacher is charged with her husband's murder, but fortunately the prosecutor on the case is a former student of hers, of whom she had taken painstaking care when she was working at an elementary school. Remembering her kindness to him, the prosecutor uncovers her innocence in court, and she is acquitted of the crime.
Notes
"A silent movie that allows us to examine the narrator-accompanied method of 16mm films" (Chung Jong-wha)
A Public Prosecutor and a Teacher is familiar to us for the performance of Shin Chool, Korea's last silent movie narrator (known as "byeonsa"in Korean). Numerous critics have recommended the film, praising it as "a silent movie that allows us to examine the narrator-accompanied method of 16mm films" (Chung Jong-wha), "the work of Korea's last silent movie narrator" (Kim Hong-joon), a movie that "reflects the public's consciousness and has great historical value" (Lee Seung-hun), and "the archetypal new-school film" (Chung Sung-il). As evidenced by such commentary, A Public Prosecutor and a Teacherenjoys greater recognition for its historical value as the only surviving silent movie in Korea than for its artistic or technical aspects. What is ironic is the fact that this recognition derivesfrom a production and screening method that fell behind the times, as sound films (or "talkies") had already become the norm when the movie was first made. Its inclusion in the list is therefore based on its historical, social context rather than on the film itself.
Afterword:
- Narrated by Shin Chool, who is known as Korea's last silent film narrator, A Public Prosecutor and a Teacherhas been screened at several film festivals since the latter half of the 1990s.
能够在电影院里看一部黑暗血腥恐怖的漫威片，太不容易了。人类自以为是的科技，超能力在魔法面前都是渣渣。红女巫，复联最强战力认证。
有亮点有真情（这年头拍科幻片不容易，大家脑洞都天然大）screenX首纪念。
搞什么啊，这不就是把《旺达与幻视》里旺达发疯失控的内核又拍了一遍么，就是场面大点、特效强点、旺达疯的彻底点，单独看还行，但剧集不成了笑话么，亏我还特别喜欢剧集里的旺达呢
观感非常的…strange，有很多有意思的设计和点子，但是成果很别扭，感觉multiverse的概念用得不怎么行，跟读漫画里那些塞元素塞戏份的大事件观感超级像。场景总体都设计得挺好看的，艺术风格还可以。对主角的感情线完全无感，对女巫的情感感触很深，但是不喜欢对这个角色用这种方式处理。gruesome的动作场景确实是漫威以前见不到的，但没有感觉更好。把粉丝们盼了那么多年终于能聚在一起的X人、F4和异人放上银幕然后立刻全灭还挺黑色幽默的。最后的elden ring boss造型游走在酷炫和滑稽的边缘，有意思。
本来想看看奇异博士有多厉害，结果全场被猩红女巫追着打。旺达这战斗力和意志力，啧，爱上了。
“Stephen, are you happy?”
元素太多，眼花缭乱，但是最后没讲出个什么特别的故事。
爱，永恒的爱，让人偏执的爱，让人不能释怀的爱
奇异博士以后就走搞笑路线吧。这个角色真的迷，智商忽高忽低，会各种nb法术就是不用，光就搁那甩拉面。
惊喜不少！卡特队长，黑蝠王，黑惊队等等…总体感觉就是太赶…其他不说…惊队居然被压死的…怎么可能…单挑灭霸的存在…感觉是为了时长随便安排她去死…听说改了又改…希望有导剪…
好敷衍的剧情哦，，，其他宇宙的神奇先生卡特队长惊奇女士x教授的酱油也太齁嗓子了，，，，仿佛美剧搞笑篇，倒霉旺达又洗不白了，，一黑到底吖，还不如看漫威剧集带感
还是经典老一套好莱坞片节奏
第一部有视觉奇观，第二部和其他漫威超英没任何区别了。
真的蛮喜欢特效的，法师打架很好看！而且剧情没有说不通的地方（剧情通顺算是对电影最最最基本的要求了吧但很多超英片都做不到哈哈）旺达人设有一点点的女性刻板印象了，不过人物丰满算是更高level的要求，可以暂时不管。总之是很棒的爆米花片。
第一部有视觉奇观，第二部和其他漫威超英没任何区别了。
可能因为预告片看太多了，所以前半部分差点意思，美国小姐的演技也是……比较青涩。但是从与黑奇异会面开始就精彩了！很爽很有趣！克里斯汀超美！看完更期待之后的故事了~
Are you happy are you happy？ I am very ok
剧本比之前的漫威电影好很多，流畅的讲述。好多年没看IMAX效果好好，以后的大片都应该看IMAX。特效还是一如既往的丰富和精彩。感觉导演应该有一些恐怖血腥cult， 好几处故意跳吓和重口，我喜欢
2.5，多元宇宙的开启算是漫威影业的里程碑吧，但这并不是漫威最正确的一步，他们并没有完全处理好多元宇宙的异同和博弈的能力，以至于现在每部新作看起来都无趣至极，只能通过其他宇宙人物的集体降智而理顺剧情，最后就是丢了西瓜，捡了芝麻。奇异博士第一部还是爽的，第二部只能说平平无奇，全靠些惊悚恐怖的元素提升观感，Doctor Strange彻底沦为工具人，人设方面没有任何进展，Wanda在剧集里要复活丈夫，在电影里要寻找孩子，最后的情绪转变也不够充分，还要卖波劳力，美强惨本惨无疑了。
为了让恐怖效果加倍，伊丽莎白奥尔森硬是化妆成了维拉法米加…
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