Filming has begun for Us, BBC One’s four-part drama adapted by David Nicholls from his hugely popular novel of the same name.
Tom Hollander (Baptiste, The Night Manager) will be joined by Saskia Reeves (Luther, Shetland), Sofie Gråbøl (The Killing, Fortitude), Tom Taylor (Doctor Foster, The Dark Tower), Iain De Caestecker (Agents of S.H.I.E.L.D, The Fades) and Thaddea Graham (Curfew, The Letter for the King), with casting by Sarah Crowe. It is produced by Drama Republic and Bandstand Productions.
Douglas Petersen (Tom Hollander) is blindsided when his wife Connie (Saskia Reeves) tells him that she’s not sure she wants to be married to him anymore. Agreeing to still go on their planned family grand tour of Europe, Douglas vows to win back the love of his wife and repair his troubled relationship with their son Albie (Tom Taylor).
Reflecting David Nicholls' signature mix of humour and heartbreak, Us brings the Petersens' poignant and often hilarious story to life, taking viewers with them on their once-in-a-lifetime journey through some of the most beautiful cities in the world.
David Nicholls says: “It’s a huge thrill to see the novel come to life, and with such a wonderful cast and production team. We want to make something funny, touching and beautiful, to really explore marriage and family life, all against this incredible backdrop.”
Tom Hollander and Hannah Pescod say: “We are delighted to be working with Drama Republic and the great David Nicholls in bringing his beautiful novel to BBC One. The trials of the Petersens will strike a chord with many - a family tale for our times.”
Piers Wenger, Controller of BBC Drama, says: “We feel so honoured to be bringing David’s beautiful novel to BBC One and to have the brilliant Tom Hollander and Saskia Reeves playing the leading roles. We are thrilled to work with David and Drama Republic once again and also with Bandstand Productions on their debut drama for the BBC.”
Greg Brenman and Roanna Benn, Executive Producers for Drama Republic, say: “David Nicholls is a unique and rare talent who miraculously manages to intertwine profound emotion with full-on humour. This glorious adaptation has attracted an exceptional cast in Tom Hollander, Saskia Reeves and Sofie Gråbøl. We couldn’t be more excited to begin filming.”
Us is executive produced by Greg Brenman and Roanna Benn for Drama Republic, Tom Hollander and Hannah Pescod for Bandstand Productions, Jo McClellan for BBC One and David Nicholls. It is directed by Lisa Siwe (Temple, Modus) and distributed internationally by BBC Studios. Filming will take place in London, Amsterdam, Venice, Barcelona and Paris.
确实很好笑，优秀的是在于绝大部分笑点来自戏剧结构以及演员出色的表演。剧情节奏很稳，包袱也很稳，很轻松，但后面就有些许垮了就是。
诚意之作，最后的花絮点题第一部男主角，现实交错醍醐味瞬间出来了，精简一点煽情戏还能再上一个台阶。虽然本土化的部分也努力了，但是过程中还是感慨三谷的原作剧本太好了，片尾致敬三谷幸喜很暖。
魏翔演得有多好 这个电影就有多烂 大量网络段子的拼接一如既往成了如今麻花喜剧电影的故事结构 毫无惊喜的故事走向闭着眼睛都能猜到结局 倒也并不意外
~多有意思的片子啊，魏翔个人毁容式、全方位式、全投入式演出，尤其“你敢耍我”那段，有被震撼到，好演员啊。。。
看到有豆瓣短评提及《喜剧之王》，在我看来这部片子也就只有《新喜剧之王》的水准。——《魔幻时刻》→《这个杀手不太冷静》，《迫在眉梢》→《误杀2》，《世上最美的离别》→《关于我妈的一切》，《我的机器人女友》→《我的女友是机器人》，《蒙太奇》→《你是凶手》，韩国版《阳光姐妹淘》→《阳光姐妹淘》中国版，《盗钥匙的方法》→《人潮汹涌》，《计划男》→《温暖的抱抱》，《伟大的愿望》→《小小的愿望》，《完美陌生人》→《来电狂响》，《妻子小姐》→《美好的意外》，《家族之苦》 →《麻烦家族》，《非常主播》→《外公芳龄38》，《天伦之旅》→《一切都好》，《盲证》→《我是证人》，《结婚大作战》→《新娘大作战》……对国产翻拍片习以为常的失望。——《误杀》《五个扑水的少年》……是相对而言个人感觉还可以的国产翻拍作。
本来觉得这剧本写得还可以啊，结果片尾一看，改编自三谷幸喜。魏翔不错。
3.可以看出现在行业中流砥柱们的专业积累非常丰厚。在借鉴的基础上在努力找自己的东西，未来可期。敢把借鉴直接打在字幕上也是厉害。
大过年我只想不带包袱不被教育不被鼓励的没心没肺的笑一下，ok了，及格鼓掌。
《魔幻时刻》独属日式的黑帮童话及热血漫感，被麻花喜剧人强行消解为并不陌生的架空幻梦，之所以不显得违和，是原版之弄拙成真与开心麻花之以巧掩拙的精神契合。拍到大概快十部电影作品的开心麻花，在这样一部冲击春节档的“大”制作里，仍然间或犯着演员动势前后帧不接的低级错误，在天才型演员沈腾之外也依旧没有任何经得住银幕考验的舞台演员。但用屌丝逆袭、一夜暴富套路屡试不爽的他们，这一次真正撷取到抖音小视频之所以走红的基层偏好，用最没主角相的黄金配角充男一号，展示错位灵光的“无用”技能，替你认怂也代我圆梦。望着片尾花絮里杀青时和导演相拥而泣的魏翔，还有谁会为通片没有笑出来而责怪这些平庸如你我却勇闯电影梦的喜剧人呢？
恭喜陈明昊再次塑造了喜欢投资拍电影的黑帮大哥形象
一开始看到借鉴《喜剧之王》的桥段还觉得有点尴尬，但是看下来还是觉得挺好看的。
居然大于预期。三谷幸喜那版从后半段就崩了，这版魔改其实如果最后一幕认真调一下，会超越原版。中文语境下的笑点与风格设定都用心了，魏翔不火，天理难容。
1.虽然是翻拍加上致敬，整体观影体验还是不错的，但是可能有的梗过于专业，我看的那场有的点观众没有反应。
今年春节档，这个质量的电影都能取得票房的大成功，是我们院线电影的悲哀。
现实与理想总有差异，只能在电影和戏剧中寻找慰藉。
和早一个月上映的《李茂扮太子》很类似，片名都玩谐音梗，主演都有马丽，题材都是“身份互换”，笑料都给的很足量，贺岁档氛围统统拉满。一个宣扬“平凡真幸福”，一个宣扬“坚持会成功”，都是最朴实、普世的价值观。
魏老师是傻子？哈维是傻子？勉强能看吧
咋评分越来越低啊，感觉都是好评但是不舍得给分，气，我给个五星拉高一下。
再就是电影质感不佳，可以说是不好了，画面给人的感觉，就是不实，浮在表面上，陈明昊或是全场最佳，有成为老戏骨的潜质，但是或要摆脱固有人物身份（参考《扬名立万》里的他）。
好在这部改动挺大的，故事也更本土化，大纲情节基本原创，融合和了不少致敬梗，就挺可爱。
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