The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.
跟无限列车那边一样，虽然没什么剧情没什么特点但观感很爽
狗卷和乙骨好难选////五条亲手送夏油走好虐
解锁新电影院Neufahrn 五条颜粉真的好多 知道为什么叫纯爱战神了
我是脑残粉。高能真的好多：里香入学保护犹太，学生证特级，第一次招呼里香，五条悟六眼好帅，狗卷太太太帅了，夏油真的哭死，中二正义但是路不同，五条悟最后和夏油杰说的话其实看电影最后一幕能看出来的“杰，你是我唯一的朋友”
90分钟观感其实还不错，但仔细一想细思极恐。一个女孩子和一个男孩子相遇，11岁主动白给求婚跟他绑定自己的人生，然后6年之内彻底沦为男性的附属物，之后解脱竟是因为男性要自我牺牲，还说出“这六年比活着更开心”这种话。不知道漫画怎么样，但剧场版我看到的就是一个彻头彻尾的物化女孩，完全嗑不起来。
总体来说把三位学姐学长还是一年级新生时候的前因后果交代的蛮清楚的
二次元行为：特意穿着优衣库新出的T恤去电影院看。纯爱战神居然和我一天生的，快结尾一句pure love我后面大姐笑得好大声。另外夏油杰和五条悟这俩人也挺纯爱的。
其实是想说还可以更好的，但还要什么自行车呢。
娜娜米 负责的成年人
Mappa有时候会把五条画很帅，有时候又会很油。夏油杰就是人如其名几乎一直都很油（mappa我们想看疯批帅哥，不是疯批大哥）。感觉剧情太紧了，反转激烈到我感情有点跟不上的程度。漫画进度也是，死灭回游开始我的智商基本上就跟不上剧情了。
对声优不敏感的我，男主一开口，这tm不是真嗣？某些部分剧场版打斗作画没有tv好是怎么回事？但是最后还是看爽了。
呜呜呜，我是纯爱战神，乙骨忧太yyds！！！！太帅了，超级超级好看！
乙骨忧太成长得也太快了
九敏 打斗戏太帅了😭😭😭七海呜呜呜我要嫁我要嫁我要嫁呜呜呜 但是五条老师和反派的剧情太像Grindelwd和邓布利多了。男主的友情线太仓促了。男主最后把自己交给里香可太中二了hhh。还有男主最后的高贵血统，不太喜欢这个设定
其实是想说还可以更好的，但还要什么自行车呢。
我是来看精彩的打戏的，第一季的几个打戏叹为观止，但这个剧场版以为要开始精彩了，分镜头就切走了，唯一一个和十六咒之一正面刚的，结果一秒给秒了。。。所以从头到尾没有精彩的打戏，我只能给个还行的评分了。希望第三季维持第一季水平
虽然问题也不小但是还是比隔壁的鬼灭好太多了，至少角色是喜人的
太太太太太好看了，但凡能在电影院看我能10刷55555，夏油——夏油可别把我帅死。各种名场面最喜欢的还是“夏油的咒术残余我不会弄错”“最后倒是说点诅咒人的话”“我唯一的挚友”，五条悟你好爱他，已婚已婚！！嗑拉了
我……我为什么……我为什么磕不下五夏五啊😭😭😭😭😭😭😭😭😭😭😭他俩真的好gay，是整个动漫里最gay的，但我就是磕不了……为什么……为什么啊……
我们可是纯！爱！战！神！还以为里香会送优太他讨厌的人的手指结果竟然真的是戒指 未免太阳间了点！禅院学姐从开始到未来一直带小孩好辛苦 看到狗卷前辈我脑海已经开始自动播放“宝娟 我的嗓子”（大雾）
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