"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
很无聊的一个故事。弯来绕去，讲了个寂寞。女主50岁还能有如此状态，令人敬佩。
当事人男女做出不同的选择，故事毫不例外走向悲剧的结尾 女主美眉需要一个满脸络腮胡子的克里斯 佩恩来配， 没胡子的克里斯依然像邻家小弟弟<(￣︶￣)/
嘴炮悬疑惊悚片，前一小时看着很累人，就是要反转反转再反转，打着旋儿地反转，刻意的设置不免有逻辑漏洞，乐趣就是猜坏蛋
最后的反转蛮好看的。一个典型的办公室爱情，套在一个灾难的框架下。我觉得，有话要直说，不要憋在心里，会造成误会越滚越大。整体三星，再增加一颗星给派恩的造型。
一个悲伤的故事徐徐展开，这就是在别国乱搞的下场
还行吧，典型找内奸反转再反转的戏码，中规中矩，除了派派的肉体，没啥记忆点
影片故事情节来回跳跃、闪回，回忆夹着回忆，开始时真有些如坠云里雾里的感觉，不知所措。做为“小小的烧脑消遣片”，还是可以看看的。
前半段很甜，但后续情节真的太没新意了，还不如把我的故事拍一遍。
boring.. chris pine的谍战片永远是这么无聊。
插叙倒叙正叙，再怎么叙，也掩盖不了表达的浅显与苍白。传统题材想出彩确实太难了！
剧情老套沉闷乏味，4倍速看的。
企业号船长和灭霸闺女相爱相杀的故事。最后孟菲斯号船长给了他们1人1颗小药丸，船长选了红的，闺女选了蓝的。
一部放在8-90年代还不错的剧情片，节奏、情节、音乐都不错，现在的确只合适电视了。
内鬼是自己，一切为了爱，拍得好墨迹，回忆太长能不能只讲重点真的是，男主蓝绿色的眼睛真美，女主好像西部世界那位妈妈桑噢，俩人没有cp感，这让故事的内核显得不成立。
徒有其表，内容很空很乏味，感情戏也让人无感，比以前的《尽管雪落》差十几条街
这特么哪是悬疑惊悚片，这明明就是虐恋爱情片！
It’s an ordinary love story. Great storyline! TOUCHED and SAD at the end. 节奏感很好，在许久没能耐下心看过一部电影的这个深夜.
剧情也很简单，阳光下也没啥新鲜事。
演员们都老了，开始回忆起之前干过的事情了，仅此而已
亮点是叙述方式、节奏和男女主角间的张力。看到派恩我起先是拒绝的，但他在这部片子里很好，女主也很好——"What we had was real. Wasn't it?""I thought so.""Why did you run?""I think I preferred this being an interrogation.""Well, you've convinced me.""Of what?""(whispers) That you're very convincing."…"Are you okay?""(grunts) Be right back."
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