大概是法国第一部描写女同志的故事片吧。
Olivia (also known as Pit of Loneliness) is a 1951 French film directed by Jacqueline Audry. It is based on the 1950 semi-autobiographical novel by Dorothy Bussy. It has been called a "landmark of lesbian representation". Olivia arrives at a finishing school and falls in love with headmistress Mlle. Julie. Mlle. Julie feels the same, but tries to suppress her desire. For her part as Mlle. Julie, Edwige Feuillère was nominated for a BAFTA award for Best Foreign Actress in 1952.
French director Audry made 18 feature films from 1944 to 1972. Her earliest films are prime examples of the French 'tradition of quality.' She favored plots adapted from French literature. Audry is most distinguished from her peers in that her films were primarily focused upon female leads, whereas traditional French cinema is centered around the lives of men. Her most notorious film was 1951's Olivia, which dealt with lesbian relationships.
片子本身很一般，但是派恩和福斯特的老搭档看的很舒服，这哥俩在一起的化学反应很有意思
全片是在讽刺老美总是干最脏的活，又当又立。
看了6分钟，对男主的铺垫也太多了，又一看见评分，顿时失去了兴趣。
除了结尾略显草率以外，我觉得还不错，印度队长666
片子本身很一般，但是派恩和福斯特的老搭档看的很舒服，这哥俩在一起的化学反应很有意思
一部冷静、严肃的谍战片，拥有出色的卡司阵容，克里斯派恩很好地演绎了一位饱经摧残的美国士兵。整体叙述有条有理，可以跟《藏身之所》相提并论，非常值得一看。
动作戏也能拍出歌舞升平的感觉，也是印度电影特有的风格了…
表演的不错，也让人看得下去，不会浪费时间，可以一看，虽然情节有漏洞。
Tell my son I didn't dead in my sleep.
枪战动作戏爽就完事了，另外本福斯特为啥又光荣嗝屁了啊。
清明假期以烂片结尾，好片越来越难寻。动作片连动作戏都不好看，真是药丸。
PPS:这片出彩的头功应该是……那个声音性感的ai……
挺不错的，就是剧本不太行，特效有点差，套路也经不起推敲
满满的好莱坞味道，情节虽然老套，处处模仿好莱坞，但模仿得真的还不错，合格的宝莱坞爆米花，剧情核心就是，别人有的我们印度也有，而且更好。
既要照顾🇺🇸观众的一贯品味爱好，又要紧跟时事
故事老套，但动作和氛围都不错，演技在线，有谍影重重的味道。
最后反转的无力，真是主角光环，就是不死。剧情倒是不错，流感疫苗，黑美国政府。
分数：60
作为类型片，表演节奏配乐画面都没有什么毛病，我觉得还不错，就是现在看这种片子，任何需要解的谜在荒诞现实面前再也没有什么悬念了。
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