The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
中岛的演技真的有了质的飞跃，已经摆脱了中岛健人，变成朝仓晴人啦！！！
如樱花般的爱恋，尽管樱花花期很短，但是曾经热烈绽放的美好，是真是存在过的不是么
这部电影总体来说还是挺不错的，虽然说是韩剧，能看字就行，片长时间还是很好。
黄政民从来没有让我失望过，没有多余的废话，干净利落，标准的类型片
始発まで一緒に遊びたい❗️
两个小时我能坚持看下来的理由：
能想象得到剧情，但是还是意料之外的从中间哭到结尾。很多地方都有哭点，虐得好久才回过神来。中岛老师几个情绪爆发点都代入得很深，沉浸进去了
以及女主在雪地里撞到了男主
令人悲伤的爱情故事！我觉得当初女主不见男主就好了，也不会让男主那么悲痛欲绝
又是一部本子特产死人爱情，这种片子难看也难看不到哪里去 看到中岛老师发疯的样子忍不住代一代（嘿嘿
认真看了第二次，两位的演技不多说，但是恋爱的部分真的对我触动很深，如果这一辈子让我遇到这样的一个人，就算马上死掉了，也会有人在每个春天都想起我，我也觉得死而无憾了。
家人的病痛真的很难受，这一点如果有经历过大概都会同感
看剪辑后去看正片的，真的好讨厌日式贬低自己的口吻。“我只是随处可见的那种女人，性格也挺像大叔的。”然后让男性来表达，就算是这样的你我也喜欢。男女主性别调换一下应该不错
警察是吃干饭的吗无语了 绑匪头演技最烂真的…靠黄政民一人带飞一大批演员 惊喜的一点是还有朴成雄
男主不错。但是最后也没有必要演寻死的戏份吧。感觉有点过。拍的挺美的
细节蛮用心的（贴近病者和照顾者现实，在我这里就自动大加分系列 XD）两个Kento，永山家的演技太厉害，中岛桑就还请继续加油哇……
比同类型的绝症纯爱还是优秀很多 催泪点也是真感动
看到美咲长白发就知道要开始虐了 但是没想到这么虐
松本穗香笑起来还好，没表情和丧着脸的时候真的好丑啊………怎会如此之丑啊（
如果是还在上学的年纪看，也许还会多一分感动，现在三十多，更触动的点反而是哥哥嫂子对妹妹的爱，男主女主演员各一次的大哭呐喊高潮戏都没处理好。典型的日式纯爱，却无论哪个方面都次了一点
Copyright © 2015-2023 All Rights Reserved
