John Kent (Randolph Scott), a former star football player at Harvard, goes to Paris with his friend Huck Haines (Fred Astaire) and the latter's dance band, the Wabash Indianians. Alexander Voyda (Luis Alberni) has booked the band, but refuses to let them play when he finds the musicians are not the Indians he expected, but merely from Indiana (Huck Haines and his Indianians Band).
John turns to the only person he knows in Paris for help, his Aunt Minnie (Helen Westley), who owns the fashionable "Roberta" gown shop. While there, he meets her chief assistant (and secretly the head designer), Stephanie (Irene Dunne). John is quickly smitten with her.
Meanwhile, Huck unexpectedly stumbles upon someone he knows very well. "Countess Scharwenka", a temperamental customer at Roberta's, turns out to be his hometown sweetheart Lizzie Gatz (Ginger Rogers). She gets Huck's band an engagement at the nightclub where she is a featured entertainer.
Two things trouble John. One is Ladislaw (Victor Varconi), the handsome Russian deposed prince and doorman who seems too interested in Stephanie. The other is the memory of Sophie (Claire Dodd), the snobbish, conceited girlfriend he left behind after a quarrel over his lack of sophistication and polish.
When Aunt Minnie dies unexpectedly without leaving a will, John inherits the shop. Knowing nothing about women's fashion and that his aunt intended for Stephanie to inherit the business, he persuades Stephanie to remain as his partner. Correspondents flock to hear what a football player has to say about feminine fashions. Huck gives the answers, making a lot of weird statements about the innovations John is planning to introduce.
Sophie arrives in Paris, attracted by John's good fortune. She enters the shop, looking for a dress, but is dissatisfied with everything Stephanie shows her. Huck persuades her to choose a gown that John had ordered discarded as too vulgar. When John sees her in it, they quarrel for the final time.
John reproaches Stephanie for selling Sophie the gown. Terribly hurt, Stephanie quits the shop. With Roberta's putting on a fashion show in a week, Huck takes over the design work, with predictably bad results. When Stephanie sees his awful creations, she is persuaded to return to save Roberta's reputation.
The show is a triumph, helped by the entertaining of Huck, Countess Scharwenka, and the band. (A pre-stardom Lucille Ball, with platinum blond hair, appears uncredited in her first RKO film[4] as a model wearing an elaborate feather cape, after the vocal by Dunne, in the fashion show.[5]) The closing sensation is a gown modeled by Stephanie herself. At the show, John overhears that she and Ladislaw are leaving Paris and mistakenly assumes that they have married. Later, he congratulates her for becoming a princess. When she informs him that Ladislaw is merely her cousin and that the title has been hers since birth, the lovers are reunited. Huck and Lizzie, who decide to get married, do a final tap dance sequel.
第三部人物成长曲线明显，床戏两个主角也很卖力。本身也养眼。期待第四部！
救命啊 到底是什么精神海洛因能让我一天刷三部TaT
这一部比前两部要有内容得多，虽然狗血但也是剧情啊。也拍出了男女主的成长，爱情里的互相支持太重要了！歌也好听。
可能阶级不同，片中贵族的善良更像是施舍，虽然不至于不适，不过也有些别扭
也就提供了一些历史老师课上可以用来寓教于乐的素材：妖僧拉斯普廷、刺杀斐迪南大公、索姆河战役、齐默尔曼电报、乔治五世改姓氏为温莎等等。一部拍了还不如不拍，事实上本来也无需要拍的前传。
P.P.S片中片尾都用了Overture 1812，瞬间带回了经典片子V for Vendetta啊，英式花式炸parliament巅峰
有一句话叫“听人劝，吃饱饭”，但凡也不至于浪费这么珍贵的周末晚上
比2好看，拍成连续剧了，剧情好慢。。。。。。
有钱人都不用烦恼工作的事真好。但是他们会有各种作死作活的方式来令自己的生活充满痛苦哈哈哈。这电影突然像美剧一样了，编不下去了还硬要编下去，结果越扯越狗血。但是怎么办，出了第四部我还是会继续看的哈哈哈哈
虽然猜到了亲眼看到还是觉得好狗血！第三部的剧情最无语 两个酒鬼老爹+可能第四部也会变酒鬼的hardin 两个人都好会吃醋 Hardin甚至因为一个路人和Tessa稍微聊一下做噩梦😂 （不安全感和觉得女主值得更好的 Tessa不能怀孕的情节有必要吗！他们还只是学生 Vance是hardin亲爹是真的🤬可怜小狗红着眼睛寻求tessa安慰 第四部可不可以不这么狗血啊……. 想看hero多演一些大帅哥！
各国编剧去绿晋江看看文取取经
2021年11月5日观看。烂片，拍的倒是挺精致。
为什么会有如此狗血的剧情，确定不是韩国编剧？😂然后chuangxi也没了什么该有的chuangxi
一部比一部“三级片”。冲着男主颜值，多给一星。
感觉男主爱女主多一些，果然是玛丽苏
期待第四部！！
看到是英美合拍的我放心了，英式黑色幽默，打着反战的旗号各自特工在电影里面夹带私货，各自居心叵测啊，这个果然是个好博弈片啊，建议好好细品，尤其是俄乌背景下的英国、美国、欧盟等，不得不说，很现实 P.S.拿一战这么做文章的真不是很喜欢幽默过头了
看了谷阿莫，人物关系混杂，无数巧合全员挂，好疯的作品～
Extreme British nationalism + complete disregard for human life in the service to justify some superficial fight for peace in the veil of maintaining power and the status quo. The franchise really went from a lighthearted savior-of-the-world film to a wild conspiracy. Cringing at the glorification of war.
我三岁的时候就看过这种剧情了，可是我已经不是孩子了
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