Abandoned by his father at the age of five and raised in near isolation by a loving, yet emotionally unstable and over-protective mother, the only life Peel Munter has ever known is within the confines of his childhood home. Upon his mother's unexpected death, 30-year-old Peel is left lost and utterly alone. With no job, family, or friends, he must make a choice; live as his mother did, lonely and unsettled, or change the course of his impending fate by breaking out into the unknown, facing the trials and tribulations of an outside world he doesn't understand. Unable to make the house payments, Peel decides to take in a couple of drifters as roommates. After forging what seems to be a burgeoning new family and brotherhood, one of the roommates betrays Peel's trust, compelling Peel to venture out in search of his long-lost, real brothers who had been taken away from him decades ago. Along the way, Peel's lack of cynicism and innocence has an inadvertent, yet powerful effect on those he meets, as he brings a group of marginalized misfits closer to their true home.
其他也还好，就是：请！不！要！瞎！cosplay！加里.奥德曼！
剧情经不起推敲…朴素丹好飒，动作戏和追车戏还行，BGM奈斯！
“所有人物在出场的第一帧就可以预测到全部行为轨迹”的典范之作。
真的算是性转版baby driver，最后还有点杀手不太冷的意思，挺喜欢的，好看。但是BGM和节奏没学到极盗车神的精髓。
全剧唯一亮点侧方停车。剩下的我在观影过程中不断感慨，要是当年周杰伦看到这部片子的元素多好，就能在开AE86的同时把优乐美也给代言了。
可看的商业片
前面几段飙车不错，可惜后继乏力，节奏没有控制好，最后的大战没有boss，草草收场
演员阵容就反映定位了，反派真的不太行，流水线作品
工业模板流水线作品，商业节奏把控得不错，但女主的本身形象与其剧中人物感觉无法统一。
人狠话不多的脱北小妹开得一手好车，那风驰电掣的车技连藤原拓海也看不到她的车尾灯。她在黑市里从事着秘密运输的活，就是只管收钱和送货，至于送的是什么、为什么送，一概不问。终于，摊上了这么个活，小正太的老爸被警匪一家的反派虐杀在面前，这孤苦伶仃的小正太救还是不救？这十恶不赦的反派杀还是不杀？当然救，当然杀，虽然套路，不套路观众看啥？
除了套路像大叔，其他哪里像了。就飙车戏有点看头，其他很一般，虽然朴素丹也挺拼了。
#这个姐姐不太酷
联系自己: 做世俗人要像小男友的生母，分清利害，保命重要。凡事少管闲事，长命百岁。别动情。
玩命速递韩女版。冲朴素丹看的，算是比较平庸的了，没啥亮点。看看小姐姐还行
还不错。故事很完整，有飙车，打斗，场面精彩。可能影响评分的是略俗套和女主颜值不够吧。
爽就完事了 长得帅又嘴甜的小男孩才能活得久啊
比大叔差远了，最起码大叔里“孩子”那个角色不会让我觉得讨厌
剧情有趣好看 也令人感动 小朋友应该都挺喜欢的
全剧唯一亮点侧方停车。剩下的我在观影过程中不断感慨，要是当年周杰伦看到这部片子的元素多好，就能在开AE86的同时把优乐美也给代言了。
如预料中一样，常规的剧本，文戏很无聊，动作戏中规中矩。
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