With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
不知道，但是我相信肯定会有的。
请多出一点这样甜的🥲能不能不要有案件，就新兰约会我都能看一天
EP.6-10 《浅草篇》
一星给联动！一星给爱情，虽然爱情也不咋地，感觉铺了个屁，推理还是跟玩一样
首先先恭喜工藤先生和新一女士 在25年后终于开始交往了！（而我研究生都快毕业了） 然后就是 忘记去看被血染红的清水寺舞台了5555 明年我一定补上！
哇哇哇哇～柯南和新一亲亲惹，虽然只是脸蛋。看了这么久的柯南，终于看见以新一的身份和小兰呆一整部剧惹！但是最后的kiss竟然没有亲到，真的吊观众胃口呀！这部剧电影真的还挺感慨的，日常的沟通真的挺重要的，还是不要冲动。最后！！！基德真的好帅啊！！！好想做他的妹妹哈哈哈哈哈哈哈！
磨磨叽叽最后还没亲成 我要是小兰得气死...不过还是好甜🙈
4个小时，能看下来的，都是DC真爱粉，5星鼓励吧！
临时决定在12月12日观看《鬼灭之刃无限列车篇》TV版，而后才发现，去年的剧场版《无限列车篇》刚好就是在12月12日观影，真是太巧了！去年12.12还顺便重温《那田蜘蛛山篇》，今年则看下《浅草篇》和《鼓屋敷篇》。
我的白月光cp！我从小嗑到大！新兰永恒说累了，可惜每次大号上线都会留下一些遗憾，拜托，下次可以KISS吗！🥰🥰🥰
五星给清水寺，一千多集了，你们终于在一起了😭😭😭
推理部分一年一年的压缩，主线方面 世良 他妈妈有了一点眉目。柯南系列希望能有个完结吧。可能好的作品真得很难收尾，巨人……唉
最大的惊喜就是男女主终于正式交往了，二十多年了（比男女主年龄还长…），真是让人好等……难得看到大号上线，小情侣的糖还是很好磕的~
和今年绯色子弹相比高下立判
虽然我是哀酱的头号粉 但是新兰真的yyds！
【3星】额青山你，为了最后十分钟那一吻，硬编了前面几十分钟不明所以的低智推理也是难为你了啊，不说别的，就只是想在影片片尾加上一个人名（他还是原作），这么小的愿望都不肯被轻易实现，现在日本的财团都这么蛮横了吗，还是真就这么bug？
！？新一表白都已经是19年的事了！？已经三年了！！！？？？我怎么觉得仿佛在昨天。。。看来我的时间轴已经彻底被青山搅乱l
我兰就是天使，是最可爱最美丽的女孩子！园子就是最称职的粉头😂
案子本身动机和作案手法兜一言难尽，给满分的一定是为了最后那一吻，毕竟等了20年啊！
推理挺拉跨的，不过新兰感情线终于起飞了，可喜可贺
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