With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
剧情很精彩，所有的坑都填了，前后衔接完美，包哥永远的神，最后出租车围堵卖假药的燃爆了
毛骗出品必属精品，结构比上一部作品更完善，节奏更加紧凑上头。网大需要用心的团队，而不是洗钱，烂梗，蹭热度，秀白腿。结尾的出租车追逐场面让我想起了年轻时候的神奇经历😄😄……
哈哈哈，出人意料哈，这么的好看，有笑点，有伏笔，有包袱，也有正能量，好久好久没有见过这么走心的喜剧片啦，哈哈哈哈
不应该6.9分啊，看到狐狸老大出来了，哈哈哈哈哈痘痘还是和以前一样多。包哥每次出场都意外哈哈哈哈哈哈哈哈哈，不是啊 我觉得这不是优映的分数段啊。
还行，但不是他们的粉看起来会感觉很无趣、无聊。毛骗之后开始无趣
整体来说，还是不错的。故事挺流畅的
牵强到毫无逻辑，没有一个人物站得住脚，剧本编成这样比业余还业余，偌大中国楞是没一个像样的编剧！
太多的巧合因素造就了过分迎合大众口味的爆米花电影
多线叙事，剧情完整，轻松诙谐，不错的网络电影。
优映文化出品的大电影！真心不错～值得观看！
没了“毛骗”的那种惊艳与立体，整部电影在剧情和人物塑造上略微扁平，虽然多线叙事，但框架大内容少，没有绝对的高潮，整体平庸沉闷。但在情怀滤镜下，还是基本尚可
不是，粉丝滤镜真这么重吗 这也立不住啊，真不是我故意黑，全是bug😓
最后还看到了类似重案六组一集几十辆出租车围堵界面。
邢冬冬之于李洪绸，存在代差，至少非常保镖和此部观感很是一般，小庄和阿羽双男主设定如恒，多线叙事逻辑自洽玩的不太溜，三星，还须努力
3.5分，比上一部好多了，人物逻辑动力起码正常了。但是套路还是太像了
毛骗团队完成度很高，一贯的环环相扣。现在就是需要好好打磨剧本，总有一天会出圈的。
故事普通但下了功夫，即使剧本逻辑上有缺失，可惜制作素质依旧还是网大水准。
这都前几年玩剩下的下脚料题材了，拍也没拍出个新意来，乱七八糟的，接近两个小时的片长在喜剧片里算长的了，连这冤家的由来都没给整明白
没有多余镜头也没有多余台词，虽然剧情老套，但是很舒适，很毛骗，也很宁浩。
真的意外的惊喜，这种小制作最怕最后崩，这个竟然绷住了没有崩掉，配乐也很棒。
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