Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
毫无营养的剧情，没劲坏了。好久没见莱托了，就少爷和小11还值得瞅一瞅。女主是好兆头里的那个小姐姐，挺漂亮的。彩蛋是真意外。
可能在大荧幕看体验会好一点吧，但任何无法让人进去角色内心的电影永远都算不上优秀，哪怕是莱托真的非常非常适合扮演吸血鬼这样的角色也不可以。B级片的剧情但却没有B级片的尺度那就还是算了吧......
外网骂的如此烂我看完反而很平和。照《毒液》抄还能差一档次。故事很老套比较简单随意像90年代那种B级片一般但尺度又没B级。索尼为留住小蜘蛛快把反派们搞成正义之士了。莱托少爷演技再次证明有些演员是为特定角色准备的
也还是能看下去，太套用毒液的逻辑了，演员演得不错，但是剧本也太……毫无亮点了。
不太明白索尼为什么又把毒液给拍了一遍。尽管多少还是比《毒液2》强点… #补标#
故事俗套，设定本来就很扯，而主角像极了邪教教主，整部电影也都没有展现出他的一点魅力，看得人一脸问号。除了最后打斗的视效，其他都乏善可陈，包括牵强的彩蛋。
这个三星有点勉强
介乎于青翼蝠王韦一笑与百特曼之间的男人，期待三个人打一场，另外，卡西欧出了多少钱赞助？
不过不失的MCU拼图作，引出新人物为大事件作准备（或者一轮游压根没有大事件）。阵容太讨喜了，leto吸血鬼面具时长占比太久了，可惜。
变身后俩蝙蝠人最后那组正反打镜头实实在在丑到我了。
看我发现了什么——《新蝙蝠侠》被毙的版本！
生搬硬凑，感觉就像为了推出Morbius这个角色硬拍了这么一部电影！怪不得口碑扑街，漫威第一扑街片！特效还行，女主复活了，结尾又来了个秃鹫，只能期待续集了！
莱托这些年真是光速坠落，这是要成为新一代“烂片之王”的节奏啊。
看前知道烂，但我是没想到居然比毒液2还烂…好感莱托少爷多给一星吧。索尼真不会拍，ip什么时候能回迪士尼。
这个三星有点勉强
两星半，电影评分还不如金基德同名情色电影，漫威你说说你商业片沦落至此。Jared Leto的眼睛好美。毒液：人在家中坐，怎么杀人吸血的锅从天上来，老子明明只吃🧠！博士先生是不是在soho区惊魂夜演流里流气坏痞子演上瘾了……
我是个容易共情的观众，因为一个细节被打动就不再挑肥拣瘦。但是月骑让我发现他们不缺聪明的编剧，莫比亚斯就像是走了个过场，试试水，看能不能完成后面的蜘蛛毒液联动来捞金，这样浪费演员的电影，其心可诛！
PS：漫威版真·蝙蝠侠，比起DC那个只有rich的富家子，人家最起码还有超能力好吧。╮(╯▽╰)╭
格局太小了，一点也不漫威！一共就四个人，男主和兄弟、前辈、女人
男二的鞋是啥牌子，哪买的，天天都穿，打成这样还不烂，能不能给我来一双
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