Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).
The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.
white town闹呢哈哈哈；马斯克就是闲了看了会Netflix发的七步诗吧！
《毒液2》这剧情......编剧就写了个故事大纲吗，这也太特么“精炼”了，但我还是觉得比第一部强，在剧情同样糊弄的情况下，第二部很良心的把片长缩短了很多，正片只有80来分钟，不耽误时间~~~彩蛋看的我虎躯一震啊，赶紧把毒液交给迪士尼&MCU吧，别让索尼继续祸害了。。。
又装逼，又很屌的样子，配上好听的音乐，好喜欢这种纯黑人西部片
而作为一部西部片，自然少不了枪战、决斗、以及各种追求仪式感的装B时刻，但用多了真的让人审美疲劳。不过电影好在有些地方进行了反高潮处理，增强了可看性。
一个黑人导演把西部有名的黑人串联起来加了一个老套的故事情节，一点毛病没有，如果全换成白人或者亚裔，也不影响观感
watching break up movie is not easy, too
广袤的西部，散落的小镇，那时候没有地图导航，是怎么找到那些零散的小镇的
废除奴隶制以前黑人不应该都是奴隶吗，黑人变身韩国人？😢😢，男猪脚长得太像猩猩了，特写镜头无法直视
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一般纯正的西部味，有点没搞懂片中人物的行事准则……
break up is never easy
几百年前摘棉花 几百年后拍电影
女主可太美了
没有字幕的黑人片子听得我难受… 美术设计很强 剧情嘛emmm
姑娘真正，男孩真搓，他俩玩的那座山真的好美啊啊，我以后也要找个类似的去玩
有一些好设计但是节奏实在太灾难了，不敢相信是21年的电影，我寻思Nat和Buck看着也不像差辈的兄弟啊？而且外景搭得好假，怎么那么新。
哪怕就是为了看毒液 X Eddie 也快看不下去了
没懂到底在说啥，其实毒液的形象蛮丰富的，太浪费了。
2.5 铁打的流水线式奈飞片，看这片冲谁来不用多说哈~
奇袭红帽唠会嗑，知书达理劫火车，赌只右手炸通天，布坊染具缤纷斗，生死快枪无仁义；精致剥削西部片，众黑哥们的贫嘴比耍枪要好看点，文戏稍显拖沓，结尾反转也大可不必
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