Carol Jeffries (known as 'Jeff') is a naive American woman staying in the Phillipines. She is given ten years in prison after being set up by her drug-dealer boyfriend, Rudy. She endures the harsh conditions, sadistic head matron and attempts on her life, then convinces her cell-mates to try to escape with her through the jungle, in spite of the knowledge that ruthless trackers will be sent out after them. ”
“ Legend has it that Sam Arkoff, head of American International Pictures saw a statuesque Grier at his company switchboard and cast her on the spot for her breakthrough hit Coffy. That, as they say, is bull shee-it. The former beauty queen made her film debut in 1970 as an extra in Russ Meyer's big breast bonanza Beyond The Valley Of The Dolls, and appeared in a number of B-pics shot in the Philippines the following year for AiP's rival company, Roger Corman's New World Pictures. Alongside her role as the tough-as-nails prostitute in Big Doll House were supports in the horror flick The Twilight People and as a topless hooker (again!) in Cool Breeze, then back behind bars for Women In Cages.
In Women In Cages, Grier plays the sadistic warden for once, a pot-smoking lesbian with a fully-equipped torture chamber (including a guillotine!). The 'New Fish' (a recent inmate, for you prison film novices), a ditzy blonde ex-stripper called Alabama, has taken the heroin possession rap for her pimp boyfriend. She knows too much, so the pimp blackmails her cellmates to execute her. A competent and well-shot entry in the tropical prison genre from Filipino director Gerry De Leon, it places the embittered ex-addict and prostitute Grier in the position of slave owner, watching her white charges toiling away in the plantation with obvious ironic glee.
我看不懂，我不相信有这么多愿意自我牺牲又自我陶醉的人…
为了女儿看完，女儿真好看😭
不评论这三爹一妈一男友，至少十元和咩酱的每一个特写都可以拿来当我电脑桌面了
而在包括亲人在内的众人的善意中心怀感激，是日剧日影不尽的得意主题。
日式催淚片……理想很豐滿，現實很骨感，爸爸媽媽五個人都很好，還是珍惜周邊的親人吧～ありがとう
整个故事有点扯，十元女士为了成为芽郁的妈，不断给她找爸的故事，中途还逃走十年只因有病会死，不过十年才死还不见面是不是太扯了，亲爸不养不要，继父不离不弃，太扯……
为了咩酱看 但是真的不懂这电影的意义在哪里 为了感动而感动
女主真正可悲的是，明明本体赢得了战斗，却要装作是复制体，去过着自己原本讨厌、复制体也讨厌的双重悲剧生活。当你她明白了丈夫和母亲其实爱的不是原版的自己，反而设计陷害她死，自己却装作是同谋。“夫哀莫大于心死，而人死亦次之。”
其实有很多想吐槽的地方，说不出来😂。不得不说的是，永野芽郁有一双会说话的眼睛，楚楚可怜的哭戏惹人怜惜 配乐也很棒，泪点全靠它
无法理解梨花的动机～甚至无法理解导演想表达什么～成人世界的乌托邦？不过女士和mm好好看哦～
情节的转折像是小学生作文
#日系治愈#咩酱好可爱，仙女落泪好美丽，演出了讨好的面具和温柔的底色。十元很适合演渣女，不过笑容真的看累了= =田中圭是跟好嫁风锁死了吗？已经先后成为juri、gakki、原田知世还有十元的前男友/被渣的老公了，新一季又双叒叕搭juri，可以，很强。前半段子役和咩酱分开叙述然后并线的表达还是很好的，结尾扣题接力棒未免太强行。总之咩酱可爱！
那会上映影院定了没去，只能说，还是省了时间了。这个黑色幽默实在是无趣，挺好的设定，挺好的题材，但是明显这种budget支持不了，太boring了，甚至那种黑色幽默，我一点都笑不出来，sarcasm？idk，BION展示照片那会我就猜到了结尾，出发前checklist的时候我就确信了，果然哈，对敌人的仁慈就是对自己残忍，这就是阴沟里翻船，不过还是有Karen电影的特色，很丧，很阴沉，从来都不快乐。Shoot the dog那块，我感觉mr wick又要咆哮了，怎么说呢，还是决心不够吧
搞得跟击鼓传花似的 还好全员好人 不然也太不负责任了吧
小嘤是坚强的小姑娘 小优很幸福一直被爱包围着 “不靠谱”的梨花妈妈的爱原来是这么的深 最后真的是太好哭了
还挺艹淡的是吧，无论是本体还是复制人，都要面对绵长的艹淡人生。克隆人的新设定，还挺有意思，但处理得不好，简单粗暴的血腥与文艺缓慢的深刻之间撕扯，结果两边都没讨好到。
然后我被打了
十元的剧外加冈田小哥的颜真的是太吸引我了！！！全程无吻戏，但是这种默默陪伴的感觉好棒啊！
我给四颗星，因为有点意外，更因为有一股淡淡的人文……这般的对人的内心探讨，在天朝下很难看到的（几乎没有）
婚纱造型也很好看，咩这部剧和宠女的衣服都很可
Copyright © 2015-2023 All Rights Reserved
