Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
致敬达叔，作为网络电影质量可以的，特效也不坑人，剧情嘛勉强过得去
多一星给达叔和《一生所爱》以及那些故旧景物。
真的是，如果不是有吴孟达参演，我就给1星。男主角跟韩庚的至尊宝相比都是尴尬得不止一点，而且还那么不好看，简直低配版黄轩。女主角倒比较好看。整部电影不知道放了什么，强行想搞笑的地方，一点都笑不出来，总之，真的是一路尴尬。
男主颜值。。。太差了，相反女主超美！
道路服化打光特效都很走心，剧情太一般了，没有转出花儿
一星给服装 特别是青霞的这一身
主要是想看来达哥，剧情是我能看得下去，但是，为什么男女主要这么磕碜？？毕竟你是拍紫霞仙子和至尊宝啊？？！！估计是俩带资进组的，浪费了这个有点新意的编剧。
多一星给达叔和《一生所爱》以及那些故旧景物。
说实话出乎意料的还不错，编剧有诚意，有认真的想讲故事，有认真的去做剧情衔接，抓到了大话西游的核心
槽点和诚意都很明显的电影。
前作过于经典，这剧能拍成这样不错了，选角尚可，演技在线，剧情顺滑，配乐沉浸，超出预期，值得一看。除了孙悟空颈部以上造型有点丑以外，没什么太大的缺点，冲着达叔遗作再给一星
第3428-最后一幕的芦苇地挺美，远处的高层依稀可见。特效钱花没了？
道路服化打光特效都很走心，剧情太一般了，没有转出花儿
不到6分过分了，我觉着挺好，网大里的一股清流。
触到神经就要懂得鼓掌，我打五星，原因无他打动到了我而已，其他瑕疵在我这儿都可以因此忽略掉。
导演兼编剧同学应该也是仙剑的粉丝，里面有不少仙剑的影子，比如：片头的锅勺敲头；片中的御剑飞行；甚至紫霞仙子的言行举止里都有一些林月如的味道。
中国网络电影的一个通病……有可能是时长太短的原因，细节太差了。电影完成度还是可以的，故事很完整，但细节太少，根本看不到紫霞和至尊宝的爱情在哪里……紫霞来找至尊宝，至尊宝拔不出宝剑，紫霞要走，至尊宝想跟着，都合理吧。然后两人之间感情到底是怎么产生的？大反派九孔，多点细节也会好一些。但没有细节，导致他突然跳反也没什么感觉……另外因为套在了大话西游的壳上，剧情实在没新意，怎么整都是那个样~演员还行吧，演技不差，但看不出演技好。紫霞不像个仙子，更像个人间烟火气息浓重的小丫头。
九孔制造笑点，致敬大话有料，
导演有几个情怀玩的不错，看到那些场景浑身鸡皮疙瘩，剧本也过得去如果拍成国漫可能这个系列还有救，现在大话西游除了前两部是金箍棒后面所有都是擀面杖。
敢拍这个有勇气，猴化男主不大好看，紫霞还挺耐看的
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