With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
“都说了让你等等，还往前走。”
早年练刀的时候，总问前辈，下一招出什么；前辈说，不用去想下一招，一切都是时机的选择。有一点倭寇踪迹的徐皓峰，又有一点东邪西毒的王家卫。
里面的歌好听，实在尼玛太拖了，拖的都几次想睡觉
给有心的网大一点鼓励。动作设计学的徐皓峰，故事是西部电影。虽然还是有很多缺陷，但没有网大那股急吼吼用最傻的东西骗观众的劲
电影名取自侠客行，电影主角却非常不侠客，主角与其叫帮闲，不如叫帮凶：一帮狗官杀人，二帮杀手练级，三帮黑社会火并。
网络电影的小成本通病吧，服化妆造取景都挺元素化，打斗倒还用心，这个剧情真是太稀松了，人物过于刻板化设定，反派设计的太纯粹了，不过都不是啥大毛病，网大能把故事讲明白就挺好的，还算可以。
故事简明的复仇题材西部片。特点在干脆的剧情发展，没有过多铺垫不拖沓，角色潇洒随性，没有过多“啰嗦”。亮点在动作戏，各种死法有点新鲜。特别是片尾处 boss的真相告白有些意外，其实从前面他逗孩子和让捡金牙也能看出一点蛛丝马迹
导演是认真的导演，动作设计是认真的设计，演员认真的演员， 主创团队是认真的团队。片子诚意满满，还有什么理由不看呢。
有点莫名其妙，也不知道大哥为啥要害大卫。节奏又慢。只能说有诚意，但差远了。
还有人尝试这种题材，并且完成度高，值得鼓励
“你妈的，又捅这里。”长刀是棍法，也是腿法，电影拍出来了。短刀呢？是拳法掌法呢？电影没表现出来呢？还有下一集么？
故事一般，演技差点，但动作，真心不错，不矫揉造作拖泥带水，三星的分四星鼓励。
基本上只有开枪可以看一看，但还没有特别漂亮的特写。片中主角们的计策实在让人看不懂，不明白为啥要一次次地送上门去。最后对凶手动机的反转也并不精彩，只会让你觉得啊是这样啊，如此而已。很多配乐都怀疑是在中国电影交响乐团培训出来的，怎么会是那样个风格呢？
十步杀一人，千里不留行。西北风，要搭配硬汉。
卧槽，男主好帅，武侠动作也好看，一气呵成看完比较爽
揉合了东邪西毒、绣春刀、林冲、倭寇的踪迹、剑雨、双旗镇刀客、聂隐娘等佳作，获得了八宝什锦饭一般的这部网络电影。出于鼓励，打到三星吧。明显感受到剧本力量不足，导演也可以借此多多练手。
第一颗星给电影色调，第二颗星给本片武戏，武戏偏向写实，比雪中慢刀行不知道强了多少，第三颗星作为鼓励。
哈哈哈哈哈，日子都快过不下去了，见天的有人来比刀！要比咱收费吧。虽然动作戏的观赏性不如李连杰时代的拍摄手法，但相对于现在各种夸张的电脑特效还是强多了。
一部很汉子，很爷们的电影，挺不错！这帮刀客受命于衙门，身份为帮闲，类似没有编制的”临时工“，他们生活非常艰难，为了养家，也做了一件打家劫舍的坏事，杀人妻儿，夺人钱财，男主被出卖，流放边疆，10年后得以释放，回家后遭受仇人的报复，最后，包括男主在内的主要人物全都死光了，这就是身为刀客的命运吧，人们常说的：人在江湖飘啊，哪有不挨刀啊...剧情相对简单，风格朴实不夸张，不做作，又恰到好处地加入了些许儿女柔情，竟也令人动容！（里面那个杀手“千人斩“，他挺有意思，不分正邪，将所有人杀光，只留下男主，就是为了和男主决斗，完成10年前的约定...）
切记不要把背后留给不信任人。“你妈的，又捅这里”哈哈哈哈，笑喷了。 动作不错，走的偏实战路线，像我最近玩过的游戏骇历四斩
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