Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
不想管其他影评，就想给五星。繁华的城市跟破烂的住宅区的对比。那时候房租还能拖一拖，现在估计拖了，就给你扔了，根本不会打你电话，哈哈哈哈...最后给个ceo，表达了作者美好的愿景...但是不得不说，那是时间的深圳，真的就是不断创造奇迹的地方。
看主创振容就知道稳了，文牧野有药神打底，易烊千玺有前面佳作，配角也各个出彩，好看！值回春节票价
就一般，有点交作业的感觉。我能说来烂尾么？
故事讲的很别扭 看完让你觉得这真的是在讲故事
但是兰晓龙他做到让电影工业化程度跟不上剧本的质量
看得我心塞，几度落泪。虽然有故意煽情的环节，但是人民志愿军确实值得尊敬！
此外，也特别不看好陈凯歌+徐克的组合。
易烊千玺的演技又一次惊艳到我了，他的演技让人相信他就是那个为妹妹筹集医药费而努力创业的哥哥，也是集齐一群小人物的电子厂厂长，影片中会为每一个小配角而感动，每个角色都有他存在的意义，只能说文牧野拍的太好了！！这部电影我超级推荐！好看👍🏻
创业过程假，尤其是最后片尾以写实的方式展现所有合伙人的故事毫无泪点，因为整片的逻辑前提就是假的。这个妹妹换成女朋友真的一点也不违和，本片所有女性形象都是被保护被压迫的对象，这又是另一层的虚假。
文牧野真是一点才华也没有，煽得我直翻白眼，国产院线电影什么时候能把配乐用在该用的地方。。。（易洋千玺很帅～）
如果结局是不成功我觉得更好，世界上哪有那么多奇迹
全员演技牛👍👍👍
没有了药神的惊艳，较为平庸，但总体很扎实，弘扬“加油打工人”的正能量主题。四字演的有些放不开，演技还需再打磨
被朋友拉去看的第一场，出乎意料的好看！文牧野的节奏把握的太精准了，没一点浪费，影片真的是易烊千玺撑起来，演技太棒了，其他主演也很棒，强强联合，春节第一部电影，很好！
担当，责任，不韧的精神支撑着人一步一步地踏平生活的荆棘。易烊千玺，电影角色给人一种无穷的魅力，这种耀眼的光芒是人格魅力。
可以感觉到文牧野蹑手蹑脚走钢丝般的“求稳”
枪战戏感觉有点假，另外剧情不紧凑，时长是很长，但是顾不到除了七连之外的事态发展，然后到底伍百里的死有什么隐情？
情节流畅结构完整人物饱满群像立体，与其说这是小人物的奋斗史、笨小孩的奇迹，不如说这是好学生的满分答卷，经典故事结构必有存在的意义、而时代的脉搏一定值得聆听。除去挑不出毛病的基础建设，细节艺术设计、演员情绪处理相得益彰，深圳旷日持久的烈阳以及突如其来的飓风，五湖四海的口音和同样的乐观、奋斗与热忱，反射天空的大厦玻璃上看不见断指的血污，一拖拉机铲起的断壁残垣埋葬失意与迷茫，诚然这个世界太悲哀、人生满是失败，然而爆米花香甜酥脆、世界上所有笨小孩唯有相信奇迹
满满的正能量，易烊千玺演技依旧在线，电影传达的思想也很棒，没有人有义务帮你，逆天改命靠自己
谁都有难处，虽然结局是he，但是整片看起来就是小人物的人生，景浩不过是万分之一的成功者，更多的人熬不过那些苦难
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