With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
抖音看的解说版本……都没看见纳豆那一段……
wait 是不是后面有点崩… 警察调监控还是能分辨究竟是谁不是吗？最后的最后闹的是哪一出？全程好赶啊… Queen B你值得更好的本子啊🤣
荡妇罪有应得，还连累好朋友……这叙利亚人竟然是个好人……
Queen b产后新片，为她这份勇气点赞。女性生产后的疲惫感臃肿感和松弛感她都大方的展现出来了。但也正是为人母为她带来强大的力量，能几次手刃凶手哈哈哈！谢谢赞恩让我get到阿拉伯男人的帅点～～
挺好看的，剧情比较紧凑，开始就带动观众紧张情绪，有些漏洞，但不影响全局，刚开始猜测是女主丈夫，正奇怪刚到高潮，突然说是警察，觉得奇怪，又反转还是女主丈夫。
出轨的男人不如朋友和路人系列。 ps.相信自己的内心，疑心生暗鬼
总要生出悲天悯人的气质才好呢
比原版的氛围严肃很多，节奏感和故事性比同类的法国犯罪片好很多
一名腐败的警察为掩盖事故而采取极端措施。不料，他却在之后收到神秘目击者的种种威胁，他的生活也随之失控。
翻拍自2014年的<走到尽头>，平庸且无惊喜。不过原作其实也就一般，但在当年已经是韩国最佳犯罪片。比起国内的<破局>来说半斤八两，但要稍微好一点。
这个结局真的就是两脚就解决了？警察大妈竟然不懂怎么保护当事人居然在电话里喊我们来了？烂尾啊烂尾，房东存在的意义就为了让监控这趴出来？啊 槽点过多
翻拍韩国2014年的《走到尽头》，看个乐呵吧
用鞋带撬棺材和女儿的玩具小人儿，悬念做的挺有意思，又急又哭笑不得。男主角的行为到底能不能在被人发现前完成，鸿沟不断裂开。
不知所云啊看电影很少倍速但这部实在是无聊得不倍速就要睡着，但是画面很好看
结局的线索给的有点牵强，但是还算可以接受，如果接受了，就还算一部挺反转的片子
神叨叨的狗血剧，配乐还挺有意思，女的也都很小时代
什么垃圾电影 最后25分钟的反转真是当观众是傻逼吧
算是一部小品吧。法国电影永远是这德行，对权力机关极。不信任
兩個主角、一個是在畫廊工作的年輕女子、一個是整天帶著囡囡到處工作的扯皮條男子。一個愛上年紀比她大很多的董事長，但董事長在插喉。男子願意當她的備胎，在她要沉溺悲傷之際，找個人轉移焦點的時候，總是願意找他當根震動棒。但其實兩人都醉翁之意不在酒。若你看完以上文字，恭喜你你已經看了該片的八成，剩下兩成請到電影院看。若然你要我回憶還記得甚麽，我會説是陳以文飾演的腐敗議員，氣質就很像。愛了愛了。★☆
非常非常工整的悬疑电影，伏笔节奏反转是尺子量出来的。 最大的新意就是，现在你好朋友和你老公睡了，那都因为老公是个烂人！
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