Teenaged siblings Girly and Sonny lure young men back to their home to meet the eccentric Mumsy and Nanny. There, the men are forced to take part in strange games, the rules of which are never defined - and if they refuse, or transgress the unwritten rules, they're killed. But they may have met their match in New Friend, their latest victim, who starts to manipulate the foursome, setting one against the other.
Bizarre combination of late sixties avant garde and sleaze. Director Freddie Francis had made horrors for both Hammer and Amicus but this is nothing like any of them. Shot on location with an atmosphere mixing playground horror and conservatory theatre that is downright weird and unsettling. The great lost girl of sixties British horror, Vanessa Howard, shines as she does in those other rarely seen gems Corruption [1967] and What Became of Jack and Jill [1972]. If Harold Pinter had made The Texas Chain Saw Massacre [1974] for the BBC this could have resulted. Excellent and unique.
每到结尾音乐响起总是情感随之荡漾。
终于有点空档补番～
“有时身处热闹时才更感到空虚”红豆撒鼻息呢
我喜欢三美，她是个心地善良且心怀感恩的人，“若是被交付做不到的事情的确会相当难受，然而对方是相信着“你一定能做到”，既然如此，当然得回应对方的期待，您说对吗？”最后她唤醒了沉睡的岩铁大人，得到了赏赐。
熟悉的味道，像夏日里冰镇的大麦茶，既舒适又妥帖
这个平安夜过的很开心
这是剧场版?这时长是认真的?太敷衍了事了吧，充其量两个ova合集而已；而且剧情无聊不说，画面方面也极其简易，尤其最后三筱和友人打斗画面尬得我突然笑了。
选在合适的时间总是让一切选择都为情感铺路。
通晓人情世故，学会承担责任，夏目大人终于长大了，太暖了我融化了
两集短剧而已，已经没有了当初看剧的那种感觉
看不见的风景 田沼家滴水声，天花板上的鱼和波纹，喜欢和田沼一起散步的美型妖怪客人三筱，房顶的法杖
真的非常过誉了，其实故事就很一般，看多了也就那样
三筱粉丝狂喜！ 这种温柔又周到还略带点疯批性格的大妖怪谁能不心动 这个故事告诉我们保护植被多样性很重要 沼泽消失的话三筱就会失去他的机油
夏天来了啊，每个夏日都有你。
夏目反过来和田沼说有什么都可以跟我说的时候，他还是那个曾经那个封闭自己的夏目嘛！6季过去，看着夏目逐渐逐渐的改变，虽然世间尽是不可结之缘，但这些缘的底色都是温柔吧。
说是剧场版不如说更像是两集ova拼在一起，但还是抵不过亚撒西的夏目和可爱的三三！
Part2朋友就是无关能力去看一样的风景
这个平安夜过的很开心
我已经过了看夏目就会感动的年纪了，现在只觉得无动于衷，甚至略感矫情做作。
不可结缘，徒增寂寞吗，也不是啊，回忆就是最美好的礼物。永远会爱猫咪老师
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