剧情介绍

  喜剧,讲一个男人通过装假胡子装扮成兄弟两个人,周旋于女友和未来岳父之间,因为岳父喜欢有胡子的人,认为有胡子的人成熟稳重。
  Ramprasad Dashrathprasad Sharma (Amol Palekar) is looking for a better paying job. He and his sister Ratna (Manju Singh) have no relatives or acquaintances except Dr. Kedar (David). Dr.Kedar tells him about Bhavani Shankar's (Utpal Dutt) firm known as Urmila Traders. Shankar is a weird man. He is a man of traditional values, hence he naturally hates youth wearing modern clothes. He is a sports fan, but thinks lowly of youth knowing anything about sports. But his most weird trait is hatred towards men without moustaches. He thinks that men without moustaches are characterless.
  Ramprasad has a moustache. He takes care of other problems by wearing kurta & feigning ignorance about sports. Bhavani hires him immediately. Ram is a hardworking guy, so Bhavani (& Ram) have no problems. However, Ram once takes leave by pretending that his mother (who died many years ago) has taken ill, and goes to watch a hockey match. Bhavani Shankar, who also attended the match, sees him there.
  The next day Bhavani summons Ramprasad to his office and asks him about the Hockey match. Remembering the plot of a movie a friend of his is shooting, Ram convinces Bhavani Shankar that he had seen his "moustache-less" identical twin Lucky (alias Lakshmanprasad Dashrathprasad Sharma) at the stadium.
  Bhavani Shankar buys his argument & feels bad about accusing him and decides to make amends by hiring Lucky to teach his daughter Urmila (Bindiya Goswami) music. Ramprasad reluctantly shaves his moustache to become Lucky and starts to teach music to Urmila. He is helped by his actor friend Deven Verma (playing himself).
  Now Urmila aka Urmi is the exact opposite of her father. She takes immediate liking to Lucky, while Ram is barely noticed by her. Bhavani notices this & gives Ram another job to tutor on the pretext of her exams. Meanwhile, Mrs. Srivastav (Dina Pathak), a socialite, is roped to play the part of Ram, "Lakshman" & Ratna's mother. Like Ram, she also ends up playing her own twin in front of Bhavani.
  Ram decides to tell Urmila the truth. Urmila tells him to tell the truth to Bhavani as well. Ram goes to Bhavani to tell the truth, but Bhavani sees Ram's moustache giving away. Bhavani exposes Ram, but ends up thinking that Lucky murdered Ram & impersonated him to marry Urmila.
  In a hilarious chase that follows, Bhavani ends up totalling a police jeep. The Senior Inspector (Om Prakash) mistakes him for a thug named Pascal D'Costa & is about to lock him up in the jail. Only when his Inspector identifies Bhavani Shankar by his real identity is he freed. By now, a harried Bhavani has developed hatred for twin as well.
  On coming home, he finds that Urmila & Lucky are married. He refuses to give them blessings, until Dr.Kedar comes to the scene & explains the whole situation. Now, Bhavani becomes even more furious, but on everybody's insistence, relents. The film ends with a family photo of Mrs.Srivastav, Ratna, Urmila, Ram, Dr.Kedar, Bhavani's sister Kalindi (Shubha Khote) & Bhavani (who is shown without moustache).

评论:

  • 古俊爽 4小时前 :

    啊无依之地,他真的无依了~

  • 崔和豫 8小时前 :

    看得好绝望,一个人、一帮人跟整个社会的抗争。前段时间看到一个数据,80、90年代出生的人,是00、10年代出生的人的整整两倍,想要依赖社保基本是行不通的……

  • 振澄 3小时前 :

    后一个小时是享受,分享,执着。

  • 房姝好 7小时前 :

    孤寂而壮阔的州际穿越,旷静沉郁的散文诗电影,游牧者这个社会边缘群体的真实写照,Frances McDormand再次动人演绎孤寡老人。

  • 少罗绮 9小时前 :

    好一句“回忆在,人就在”,压抑隐忍的90分钟终于等来海边冲破悲痛的情感释放,却也如此短暂又即刻上路,结尾收手稍慢,演技BGM完美,沉浸体验式镜头语言。满分。

  • 康驰 9小时前 :

    完成度异常的高,画面细腻,感情层层递进,在公路片中算佼佼者

  • 公冶从阳 1小时前 :

    喜欢的不是故事本身,而是细腻无声的情绪。

  • 文祜 5小时前 :

    很喜欢斯万基的故事。整体平得让人流泪,生活的疼痛根本无需刻意再去制造什么雪上加霜的冲突和意外,所有伤痕就那样无声无息地刻在身体上,人无所依,但是情感终究有所附丽。个体视角是对于丧失之痛的疗愈,群体视角是对于消费社会的反抗,“在路上“看似洒脱,其实还是夹杂了不得已而为之的无奈。🔥了很长一段时间的片子,不知道是不是因为拍了他们不愿意拍的东西。(先看了一遍,大银幕“无依”之感应该会有很好的体验,期待引进。)

  • 寒凌翠 2小时前 :

    8.0

  • 保书白 1小时前 :

    放逐:

  • 巫晨璐 2小时前 :

    一部独具特色的公路电影,因其女性视角和人生哲思而显得平静、深刻、温柔。夜空旷野观看木星、长久略过车窗的景色,都让我想起圣经中摩西的晚年,上帝为他指出应许之地却不令其进入,摩西远眺后便死在山上。生命中的迦南到底在哪里可能并不重要,在路上的过程里才有圆融。

  • 太史寒凝 8小时前 :

    刚看完明码标价的「现实主义」,紧接着又看到了精心铺设的「自然主义」。

  • 慕盼晴 1小时前 :

    看上去很清汤寡水但是不难看,有点纪实类散文体;导演风格三部一脉相承,很好奇《永恒族》这种超英拍成啥样;Nomads哪有那么潇洒,都有自己不说的故事……

  • 初优 7小时前 :

    流浪者之歌,听见了诗看见了光,经历过风霜雨露,无需太多感伤,也不需要抒情,懂得人自然会懂

  • 尾明明 5小时前 :

    这部片里看到了很多很多其他电影、真实事件以及人物的影子,但又觉得略有不及,有一种窥探到某一特定群体的表面生活,浮光掠影的感觉,总体还是觉得不太够深刻

  • 弘辰 3小时前 :

    感觉没有必要拍电影,这题材做一个多媒体展览啥的没准信息量能充实点,挖掘能深入点,会更有趣呢。

  • 帛婧 1小时前 :

    对西部风景的浪漫化与对拮据生活残酷化都过于刻意,对人物的情感几乎没有进行挖掘,政治立场分裂,对工人社会团体极度怀疑却在生存问题上仰仗人的联结,如果说《骑士》提出了问题但没有给出解答,《无依之地》甚至没有提出问题

  • 云斯伯 1小时前 :

    We all die alone, but it's ok, cuz I'll see you down the road, dad.

  • 商巧风 3小时前 :

    纹身时看了一半,回家看完另一边,怎么说呢,自己飘了,我怎么感觉这水平我也能拍出来(不是)……拉踩——同题作文我还是宁愿去看肯洛奇

  • 家枫 3小时前 :

    赵婷只是如所有abc和久居欧美发达国家的亚裔一般,在努力地用文化认可和地域认可来增加自己的归属感罢了。

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