Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
只想说，巨星都老了，我可能还会看到他们过世……
毫无任何惊喜与意外，都在预料范围内，欧文老了以后感觉都脱相了，再也没有看上海正午那时候那样帅了
虽然是jlo 但看得我无话可说 我宁愿说它是部打歌电影 也不愿说它是romcom
中规中矩的一部爱情片，但泪点低的我还是看哭了！ 为爱奋不顾身总是让人感动。 男主确实最后有点懦弱自卑，前男友一来直接慌了举手投降，是一不好的地方。 Maluma！帅帅！虽然演了个渣男诶。
无聊、尴尬、烂俗，跟同类型的诺丁山比实在太差了，男主怎么会这么没有魅力啊SOS
不用动脑的cheesy romcom，看完心情是愉悦的，足矣。
再美的爱情，也会因琐事而争吵。
虽然知道这种片儿不能太推敲剧情，但分手分得也太生硬了？软萌老师在结婚发布会上的发言有一丢感动到我，加半星！
再说比重塑人生好太多了。
前半段先婚后爱虽然老但还是挺有趣的，后半段就很垮。难道这部电影到最后还是想表达要一直活在别人的直播里吗
哈哈，我其实挺喜欢詹妮弗洛佩兹的，长得让人有点想立棍，可惜电影拍的烂也演的烂
不可避免地会被拿来与诺丁山做对比，也毫无悬念地差得很远。作为一部中上的四平八稳的RomCom比k歌情人略强，区别于过去故事的核心在于这是一个前所未有的时代：互联网是如此地无孔不入，名气与影响力从未如此被量化成直观的数据并吞噬一切，在这样的时代里，还能诞生像诺丁山一样，真诚、小心翼翼而又掏心掏肺，可以fight everything的美丽爱情吗？从豆瓣短评来看应该是不太行。这当然有创作者技法上的因素，但也许，这真的不是一个浪漫的时代。
Shit movie!!! 前半段还行，后面剧情越来越无语，女主一张丧婆脸，好像全世界都欠她的一样，不知感恩，对养父母态度太差了，抱着小清新爱情片的心态来看的朋友，请止步
很神奇，几天过去了没有字幕组发熟肉。只好看了生肉，还好对白都挺简单的。电影质量距离诺丁山也就差了十个K歌情人。
相机直接扔水里，照相机做错了什么？好任性。
maluma和卡拉斯科相似度得有80%吧！
这部看完我终于可以斩钉截铁地说：奈飞为低成本烂片提供了精致的商业拍摄手法，但骨子里还是净拍些低成本烂片。
剧情真的是老套到我直接啃生肉都么有理解障碍。我也不想给四分啊，可那是我爱了22年的Jennifer Lopez啊，这难道不是妥妥的一整部梦女素材，恋爱游戏一样的又傻又甜的浪漫剧情，代了代了。
很神奇，几天过去了没有字幕组发熟肉。只好看了生肉，还好对白都挺简单的。电影质量距离诺丁山也就差了十个K歌情人。
低配版人鬼情未了，拍的还行，就是男女主角有点不搭。
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