Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
好看！第一次在电影院看到同性题材的电影，感谢🇲🇴～～好多男男情侣和腐女一起看 氛围好好
作为第四部剧场版，多少受到男主渣男曝光的影响，不过还是秉承这一系列反转反转再反转的骗中骗特色，只不过等了几个月终于看到成片的我还是有些不满意的，因为在公主篇里犯的错误，这部十一点儿也没改啊，跟剧版和前两部剧场版一比，纯粹靠新增人员来圆整个骗局的方式，终究是相对low了不少，虽然令人看了爽快，但那种叹为观止的骗局设计，还是没法达成呢，令人遗憾……
围绕着“英雄到底是什么样的”展开，附带讨论了下“正义是什么”。反转依然出彩，黄雀终为蝉，结局点睛。达子对喜欢的朋友的PUA是终生制的，瑟瑟发抖hhh。
// 不管做了什麼選擇，你都必須喜歡做出那個選擇的自己──不管有沒有能聽到他人心聲的魔法，唯有先好好地愛自己，唯有好好地傾聽自己心聲後，才能做出衷心，就算失敗也無悔的最好選擇。
跟浪漫篇的套路不能说有点相似吧，只能说是一毛一样
做的还不错的一个系列，反正充满欢笑，也映照梦想。真的是日本难得的商业系列电影了。
町田启太 参观靖国神社 ⛩️这是没法洗的人 .. 哎 瞬间期待没有了 …
虽然……但是……这个系列每次能圆回来就还行，反正都是闹着玩，够欢乐就好。
在被剧透后去看就只剩下幸福满满，感动到落泪，真的太棒了呜呜呜呜呜。
3）黑泽真的高、帅
简单有趣的商业片。
实在是太爱这两个人了！安达好可爱！赤楚好可爱！黑泽好帅！町田好帅！太配了！
5）一看安达工作不像话的样子 冒火
马耳他啊 什么时候能去呢｜ 局中局已经习惯了 但只要这个系列一直拍 演员和观众都会一直跟着瞎开心吧 麻酱真是什么衣服都能驾驭 赤星你醒醒啊赤星 欺诈师说大道理 谁能扛得住呢
真好 在平行时空里 他们都还活着 美好如灿烂童话
套路还是一样的套路，但是这部的背景好适合假期看呀~
场景放果然有点违和 讲英语也挺奇怪的 不如前三部不知是审美疲劳还是确实新意不足
①黑泽无数次自我感动式的将自己的想法隐藏，然后做出一副深情又痛苦的表情，让人无语之余只剩下了审美疲劳…
虽然一开始有点尴尬，但是看完了之后还是非常上头的
简单来说是把所有大家向往的情景叠加
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