“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.
The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.
As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.
“Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
可我就是觉得在船上向直升机开炮很high啊，菲律宾的几段空中戏对我这种纯粹的观众来说也够四星了……不懂评论中那些苛刻的点在哪里（想回巴塞罗那寻宝）
若是当电影看自然是Bug满满，若是当真人版游戏通关视频看倒是还不错。
一般要看人物性格也不在这种电影里找 可能因为太久没去电影院觉得还挺欢乐.尤其是仿佛看到了加勒比海盗6替代
荷兰弟应该蛮高兴，自己在演完蜘蛛侠之后，又跑到这片子里过了一把白皮Jackie Chan的瘾。“你以为自己是笑星吧，小子”这句台词就是我当时当刻的心声。
还不错，好看好看好看好看好看好看好看好看好看
Okay? There isno"we."There'sonly you.
刚玩完神海4，虽然没有玩过123，但我已然可以感受到这部电影流水账似的剧情，一波接一波的奇幻场景并没有让我哇塞，而是让我觉得导演就像赶场一样，急着把游戏里的场面赶紧一一呈现到观众面前，结果就是每一个场景里，剧情稀碎，关于主角之间的故事线，就这么划水的给带过去了？我玩神海4的时候，可以被剧情牵着走，并且对兄弟俩之间的感情也是感受的挺深刻，怎么到了电影里，哥哥直接给写没了，然后sully撑全场？是给第二部做铺垫呢吗？不必了。
围观过很多次西红柿打游戏，所以带好感滤镜，觉得还原度还是挺高的…总体来说就是个爆米花动作喜剧吧
毕竟这个已经让我很满意了。（真的，没有各种怪物也可以好好寻宝的好嘛！）
一起看过的。导演对动作片的理解还停留在八十年代，游戏粉加一星，看完下单了次世代版。
窃宝，解谜，机关，计斗，怎么说，感觉都差了一口气，导致整体平庸，场景和动作设计，也就开头惊艳了一下，演员之间也没有火花。
导演不接着拍汤老湿的毒液，非要合作荷兰弟中弟，必须差评。（全片也确实没亮点）
荷兰弟老化的有点快，漫威之后不想被定型的话其实可以试着去演一些层次比较丰富的角色再来接这种商业大片，这种片对他个人职业生涯没什么加分点的感觉。奇观和场面都做得不错，合格的爆米花大片，娱乐性比《勇敢者游戏》差点。抛开游戏，那艘船不比金子值钱么，那可是文物啊，就知道金子金子，怪不得都骂美国佬没文化。不过对比着看明清时期东西确实也没那么值钱就是了
片子时间有点点长，如果再剪辑短一些可能会更好。个人觉得前期有点冗长，快睡着了，精彩打斗戏在后半场，这种爆米花电影就是看看动作戏乐乐啊。
虽然3月14日才大规模上映，但周末已经开始了大规模首映，如果对于纯爆米花感兴趣，《神秘海域》是个不错的选择。
冒险寻宝片，没有罗曼斯，两场重头戏，飞机上的打斗戏和古船飞翔戏都很有新意，很有趣。
就是什麼該有的橋段都有帶到，但是卻沒有什麼特別突出劇情的爽片吧。要塞的太多，既緊湊又鬆散，碎片化的感覺？
看疫情这个形势，担心电影院分分钟被禁，下午抽空去把《神秘海域》看了。
能看的也就空中飞机的几段戏硬戏，按照游戏拍都会比这个强。以为拿两个火把，下个地下室就是盗墓笔记了。带不起来的荷兰弟和三个混吃编剧。3
刚打完德雷克合集 再看这个电影真的是一种折磨。
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