Ten years ago, Ginny (Toni Gonzaga), an Architecture student, and Marco (Piolo Pascual), a History professor, began a one-of-a-kind and unpredictable love story. In the five years that they were together, they brought out the best in each other, which included Marco's unrealized dream of becoming a chef. Together, they worked towards their dream of opening up a restaurant, but when Ginny realized her own pursuits were different from his, she rejected his wedding proposal and left the country for a Masters degree in Architecture. At present, Ginny co-owns a one-stop Architecture and Interior Design firm specializing in Restoration. She receives an email from Marco, which was written and sent after their break-up, meant to be read four years later. It makes her feel even more regretful of leaving the love of her life. When their firm receives an offer to restore an old house into a restaurant, she is ecstatic to learn that Marco will be co-owning the restaurant. She takes this as a sign...
就像乐队纪录片，需要配合他们的音乐才能探寻内心，否则就会觉得平平无奇
剧情一般，维拉法米加化妆和演技都很棒，很像意大利女人。
不错的悬疑，不过都是冲着藤原去看的，土屋太凤不错哦
摄影、色调、服装、道具都不错，演员们肯定没少看黑道家族，哈哈哈哈，模仿得有点重了。
？像当时看Once upon a time in Hollywood. 感觉看了啥，又好像没看啥。不过这部片子有黑人平权运动的一些剪影，还挺好的。
Woke up this morning 片尾的歌声一响起，瞬间就被拉回当年看剧时的感觉，味道很足啊。
救赎的主题，好莱坞可谓是百拍不厌，这一次要不是看演员表，我都没认出女主是Naomi Watts，她因为煤气造成泄漏两个女儿的死亡，而通过上山救援为自己赎罪，在救赎别人的同时也完成了自我救赎，导演通过“灾难片”这个类型外壳，表达了一个简单的主题，无甚新意但也不难看吧，毕竟雪山的困境在镜头前被展现的蛮真实。
4，莫明有种盖瑞奇的fu~而且神奇的是还有一点点文学性在里面。
先说剧情结构，多线故事有一个外壳，有点创意镜头，故事外叙述人展现，外壳就是作家男主给出版社编辑看自己的小说，而小说就是主线故事。再说主线故事本身，结尾揭开谜底以后有一种就这么点事的感觉，讲的花里胡哨的，其实故事不复杂，就是三张假钞的去向，而且这个故事的起点有点怪怪的，假钞为什么这么重要，男主为啥对只见过一次的舔狗眼镜男这么看重并为此这小说，眼镜男为何对妻子忍气吞声，书店老头为何留钱给男主，问号太多了，可能在日本比较合理吧，整体来讲还算下心思了，6.8
根据真实故事改编的救援电影，故事感人，但电影不够好看。
想法挺有野心，但把一季电视剧的量压成一部电影看着就又累又毛躁了
最后一抹淡淡的释怀而已。。。ps，女神也老了啊。。。
《穆赫兰道》的女主 老了，它曾是我心底第一部迷幻电影启蒙片～
没看过HBO的剧，单纯当黑帮故事来看，全程无高潮无亮点。
通过在风雪山上救人，同时也救赎了自己的灵魂。
节奏真的不行，看了两天好不容易看完了orz
还可以的！男主嘲笑秃顶哥们摔一跤，招致杀身之祸
现在日影都是些啥…编剧导演卡斯…还有土屋那张毫无生气的脸…
m2271：走过山的人会懂！失去过亲人的人会懂！小故事。
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