The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements: water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive: Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna.
The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator,
the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination.
Huillet-Straub’s The Death of Empedocles is based on Hölderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.
作为铁杆西游粉，强行四颗星。简单是简单了点，生硬是生硬了点，但依稀在片子中能找到西游那味儿，这就很不容易，比大话三强得多。对于不了解大话的人可能逻辑不是很硬。相比大话结局的水到渠成，这片最后强行煽情，有点尴尬。不过这是现在的通病，有原作的加持，不至于像那些烂大街的喜剧人一样尬到扣脚趾头。
心念念的东西，求而不得，现实与梦想的背道，还有那愁中的乐，再续经典之作，为咋天的梦，此时的感受，5星！
怎么觉得还行，特别是比起同期的翻拍剧，居然隐约想起了当年……
男主角真丑，现在的影视剧男主角真的不能看，简直严重污染眼睛。
5.0。考虑到网大的规格和国内影视界的处境，相对客观地讲，这部电影并没有很差，尤其是是刘镇伟的自毁前作兜底。但它也辜负了《大话西游》这个名号。它的贡献基本停留在“我下面给她吃”这种荤段子层面。更致命的是，它把《大话西游》原本的个人难逃宿命的悲凉，置换成了《哪吒重生》式的热血。热血固然不是坏词，却也暴露了这些续作的又一个核心问题：它们把成年人的爱情两难给劣化/退化/幼化成了小孩子过家家式的非此即彼。为了救回紫霞，至尊宝必须带上金箍割舍人欲变成孙悟空，他要就她就不能爱她，他要爱她就不能救她。到了这一部《缘起》，紫霞穿越时空的动机变成了寻找点灯人为自己改命，灯芯燃尽她就要死了。至尊宝跟随紫霞上路的动机则成了想试试证明自己是不是至尊宝。没有了对爱情飞蛾扑火般的决绝，还是《大话西游》吗？
其实不太希望出大话西游系列的，周星驰的经典是一座看不到顶的高峰
没了周星驰，强行模仿。把香江剧情改成了黑龙江味道。可劲扒拉吧。
大话西游同人纯爱篇。几个主演演技还不错，不算毁经典。
达叔遗作，没想到戏份真的超多，每一个眼神、笑容每一句台词都是那么和蔼亲切，怀念达叔！唯光影永存！
如果另起个故事能三星，非套经典有点没意思，再就是主演演技不太行…
忽然发现某些古典模式的情恋故事（当然现在的那些是不是古典还很难说…），不经一点认真的整理是很容易奇奇怪怪的
可能特效画面演员都没有做到很好，但这个剧本是我喜欢的，每个个体面对“燃尽”的命运都可以选择逆天改命，即便是反派。模仿的无厘头喜剧的地方也都蛮有意思，总之，通片我共情了。（并且打算再刷一遍大话西游经典系列）
就是三种感觉：①缅怀达叔；②致敬《大话西游》系列；③重温《一生最爱》歌曲的感动。其余的，五毛钱特技，全剧无笑点，人物塑造太肤浅，当作消遣剧看看即可。
质量还行，就是剧本太薄弱了。这不网大制作班底应该还是可以的，服化道、场景都可以看出还是比较有钱的，不像其他网大那样一看就很low。男女主角也都有演技，不讨人厌，演的不浮夸，该甜的地方甜，该哭的地方哭，可以看出都是比较有实力的。但是！剧本真的太弱了，角色塑造、情节铺垫都差一口气！就是这差一口气让这部剧只能“还行”。
我不觉得它有那么差。这是一个完整，甚至有点完美的前传。衔接的太巧妙了
紫青合璧战蚁后那里BGM还挺好听，紫霞的演员说明演技尚可一定要挑剧本，微微里演校花太平庸不讨喜，后来醉玲珑里就蛮飒的，一定要发挥好特性。
1.台词上白话了一点
一生所爱和达叔很加分 演员造型还行，就是台词仪态上总觉得有些土气 剧情立意上还不错，一生点灯三世情缘，每个人都可以是齐天大圣，笑点就算了，真的不好笑
一部看到名字就会想吐槽但是被up主推荐的网络电影，好喜欢这版编剧（看剪辑就哭了怎么回事）节奏有点太快了想看好好剪辑的加长版！为什么分这么低！
抱着怀念达叔的目的去看的，没想到竟然意外不错，剧本很好啊，完成度也很不错，就是时常短了点
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