The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
营救大叔终于救不动了，倒下了，把接力棒交给年轻人了
网飞毁了黑镜又来毁攻克，3D显得很廉价，少佐变得又啰嗦，还有很多现实关怀的太矫情。
只能说一般，主角是喜欢的影星，所以还能坚持看下去
无可挑剔，完美。
被海报骗过来，无脑爆米花剧情，画质感人，打斗场面跟闹着玩似的
“战争即和平，自由即奴役”，对日本军国主义细思极恐，弄不好隔海相望就真的出现后人类了。片中也不难看出日本人对美国的复杂心态，既崇拜、依赖强者，又渴望摆脱桎梏、完全自主。
以为是《飓风营救》一样的动作大片，却不成是今日说法，但结尾又反转，还是挺不错的
故事一般，结尾有点拉胯。可就凭L和月的同框，就值得一看就，而且对手戏还很多……
这个系列倒是适合拍真人。配乐虽然流水线但也还不错。林原惠美。奥浩哉。卡司。全部系列看下来就觉得真人电影那版爆米花感了。太烦这里的一些人物，痣男，遮发男，渣子。那个勇敢站出来被渣子QJ，被霸凌死掉的女孩
把《记忆碎片》的碎片二字去掉，就变成了阿尔兹海默症患者的“营救”系列之作…手腕记事本的剧情，不知连姆会否尴尬，反正Guy Pearce尴尬极了…
一个天才因为童年阴影起义、为了理想而搞事，是日式科幻永远的主题
3）突破摩尔定律的算力系统，不会以生物脑的形式存在；
说实在的就是看看科幻镜头，剧情不是很清晰，后人类怎么形成的，没说清楚，怎么那么厉害！最后那个凭空消失的德古沙打来的电话意味着啥？一轮红日感觉是世界末日！
裸男后空翻简直了哈哈哈，虽然这3d质感实在过于一般我几度想弃，但后面剧情也还可以
故事一般，结尾有点拉胯。可就凭L和月的同框，就值得一看就，而且对手戏还很多……
无可挑剔，完美。
看了一点，发现看过了，原来是2020年动画版本的集合版啊，浪费时间。
maybe I didn't watch a movie a long time, I think this movie is good basically, the major actors are all old men, the most surprise is Liam Neeson died and someone else finished his job by conscience, I think the human darkness should be more specific, I said basically it's a good movie, please not too be serious
这剪辑也剪的太烂了吧……把第一季和第二季拼了拼，中间几个黑镜头是什么意思
停留表面，少了些往深处探索勇气，甚至可以往人性再深挖。而且导演好喜欢用全景。
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