Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
还不错！唯一的漏洞是，休息时不放哨，还太爱相信人。
从开头就猜到结尾了，除了摄影和演员其他都很烂
为了孩子，道理我懂，就是整部电影看的云山雾罩的，不知道拍的些啥。
还行吧 真的也就还行吧 可以啦 其他的不怎么指望啦 母爱致上吧
抛开生化武器不谈，当一个任务需要用谎言来才能促使士兵去成功执行的时候，战争其实早就已经把双方都撕裂成碎片了。
这评分也太低了！其实片子还是不错的，前期节奏还是在线，就最后的反转有些突兀。
升华了 我觉得立意很好 发人深省 冰上场面拍的也很震撼 不是每个人都会为全人类考虑的 但是每个人都会在意自己爱的人 在意自己爱的人并不一定会做出正确的决定 但确实是自私的人性中唯一的希望
女儿是艾德生存和努力的终极方向和目标，这部电影告诉我们，人如果失去目标就会迷茫，迷茫就会乱想，乱想就会乱做，然后产生一些不好的后果！
什么垃圾电影，教人滑冰吗？莫名其妙，为啥要毁灭人类，为啥打仗 一概不提
被zf欺骗护送生化武器可以亲友团聚，最后幡然醒悟，自己是在助纣为虐。
大家都好严格哦，我觉得这片子不错。没交代太多背景，简单粗暴直述任务过程，我看着挺爽的。至于缺点嘛，就是立意不够高远。要真有生化武器，你现在毁灭了也只是推迟而已，并不能拯救世界。何况如果对方提前用了呢？所以结局才显得圣母且生硬。不管如何来看战争还是太残酷了。
不知所云，又碎，女儿剧情是为了？挖了很多坑又没有然后了。
冷酷混乱的北欧风。老套的故事！愚蠢的逻辑设定！靠一件生化武器改变战争结局？这是百年前的一战吗？不过冰雪北欧的环境设定还算少见！冻满尸体的冰原也很震撼！其实倒是蛮适合做成游戏！
喜欢的题材。Noomi Rapace 适合演这种类型的。
除了戰爭的背景交代的比較馬虎之外，其實還是蠻好看的。
片头一栋被轰开的居民楼简直就是乌克兰战场的翻版
滑冰深入敌后的想法还挺棒的，不过剧情比较弱，背景也交待不清楚。
就很一般吧……熊孩子成长史……但也没有励志，也没有感人……
主要讲人性吧，动作场面很少，对于动作片狂热者最多只能打个三星了。
母爱是母爱，病态是病态。为了女儿横穿冰层完成任务是母爱，明知是病毒击伤队友也要抢下罐子是战争摧残下的病态。
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