To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)
值得一看！江湖已远，但你大爷永远是你大爷！不要轻视你身边的每一个大爷。
波和麦金尼在门廊，加勒特闯进屋子，开了两枪...
就是杰森斯坦森电影常用的隐退大佬扮猪吃老虎的庸俗套路嘛，搞个小孩子挑逗观众情绪，结局大反转，这些手法都玩烂了，换张皮分就能高那么多。看斯坦森打架不比看这糟老头打手枪强？
杰克苏剧情。看完立刻又来了一遍3：10到尤玛镇洗了洗眼睛。
永远不要惹一个真正的杀手，即使枭雄迟暮。如同克林特伊斯特伍德的《不可饶恕》，当挤压的一切最终爆发的那一刻，情节也被推到了高潮，最后的反转颇为亮眼，随之亨利的死也是对其的自我救赎，很棒的作品。
7分
孩子，你走之前把猪圈的猪都放生了吗？
血性早已苟活在鲜肉御姐的裤裆里。
今年最棒的西部片！故事结构紧凑，对白简洁明了，导演克制隐忍小火慢炖，一步步将剧情推向高潮，结尾再来个意外反转，老亨利完成了自我救赎，儿子认识了父亲，告别家园独自策马上路，消失在Oklahoma 州的原野。
西部片背景的《小人物》，最后的枪战还是很可以的，很“西部”！
這種江湖傳說給我來100部！！過癮！！！
他死前给儿子上了一课
题外话背带好帅，可是太难穿出合适的感觉了
瘦弱佝偻，面部扭曲，脸色苍白，但拿枪的手永远不会抖动。这大概是现实中gunslinger的样子吧。
对话很无聊，故事讲述的一般，枪战还算爽快，只能说还过得去吧。
Old Henry has a gun, 砰、砰、砰砰砰！ 完～
质感还行，就是可能看着节奏有点慢，西部片是电影产业不可或缺的一部分啊
虽然节奏有点慢，但真的非常非常喜欢，亨利不帅，但是在他的专业领域帅呆了！真正的西部片，只是估计为了还原那个年代，很多英文不是听得很明白
西部片的一波三折，还是跌宕起伏的。
他死前给儿子上了一课
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