The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
红发女和络腮胡男亲热的时候,吊坠刚卡在那男的衬衫里,外面就立刻飘过环形屏幕,问女的要不要填表填问卷上报哈哈哈哈哈哈哈哈哈哈哈这不就是有声大数据吗?真是又尬又好笑😂
联系: so ta ma what,我都看不懂了,还联系个屁实际。
德国情报组织是知道这是个骗局,合起伙来骗了希特勒?
没必要硬凑各种副线,伊恩弗莱明出境就可以了,知道的会心一笑,不知道的也不影响情节,何必刻意加戏呢,红楼梦也只是王熙凤随口一嘴暗示一下曹家接待康熙的盛况,不了解曹家的也不影响看小说
这么有故事的故事,拍成这么没情节的情节,真是个遗憾。
再现二战中那个紧张而又关键的时刻。在斗智斗勇中加入了情感戏,不违和,是另一场“绞肉行动”
让皮埃尔热内玩得开心就好
法国果然是喜剧天花板,满屏幕的哲学思辨问题让人难以自拔
法国果然是喜剧天花板,满屏幕的哲学思辨问题让人难以自拔
冲着两代达西先生来的,结果这俩毫无火花……
一群人在封闭场景的dynamic能拍好的都很有意思,人挺做作的,人工智能反倒真实
难看,谍战片的紧张感是完全没有的,最后就是自我感动的戏码
密室逃脱。“因为我们都是充满缺点的原创产物。”
一看就很法国,法式小品喜剧真的融合很多科学主义思考,笑泪纵横
没有尔虞我诈的生存野心,也并非架构高级技术的深奥,整体质感比先前物料透露的“廉价”有更出人意料的效果,各种美术也有种夹杂着新鲜与热闹的巧思。如若真的列举对比在档的同类型剧集,那些实现甚至还不如这里来得有效。固定空间、有点夸张的尖叫念白有些难以接受,但戳中的部分还是远比无趣的地方多些。
戈弗雷,弗莱明,蒙塔古……
战争电影透着一种幽默和诗意,感情戏大可不必
法国果然是喜剧天花板,满屏幕的哲学思辨问题让人难以自拔
最想看的部分没太看着 没啥必要的剧情和文邹邹倒是蛮多
没有逻辑的说出了机器人统治世界的种种危机
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