Mumbai, the sprawling metropolis, the economic capital of India is synonymous with ambition and a drive for professional success and money-making : something Rahul possesses in ample amounts. Working in a BPO he has found out a sure-shot way to his promotion - the key to his uncle's apartment where he is the house sitter. His colleagues and superiors use the apartment for their sexual escapades and return the favour to Rahul by offering him job incentives and promotions. Rahul loves his colleague Neha, but he's shocked to find out that she is in love with their boss Ranjeet who is a married man and on top of it they use Rahul's apartment for the purpose of their secret dalliance. On the other hand, Ranjeet's married life with Shikha is on the verge of collapse. Unaware of her husband's infidelity, Shikha finds solace in he company of an aspiring actor Akash and their friendship threatens to blossom into a full-fledged affair which might shatter the foundation of Shikha's married life. Meanwhile, Shikha's younger sister Shruti is searching for a suitable groom for herself through marriage portals, and it's then that she meets Monty. She harbours an instant dislike for him but may find out in the course of time that opposites attract, after all. Then there is the story of Shikha's old dance teacher Vaijayanti who is widowed and lives in an old age home and her former love Amol who rekindle their romance in the twilight of their lives, against all odds. The turmoil these relationships go through force these people to make some life-altering decisions.
只拍了一个月就杀青了， 这个水平可以理解。
节奏很慢，也并非赌片。静下心来，看到最后，实际上就是内心的反思与自我救赎。不花哨，但沉静有爱。
没想到是忏悔录 跟赌博其实没几毛钱关系 节奏是真的慢 剧情也是靠猜
是不是有点类似
和赌博毫无关系，本质上是一种治愈PTSD，虽然那不时出现的叹息与鱼眼镜头下的迷幻营造了一种身不我随的不适感，但还不如去看一遍出租车司机
以为是赌片，结果看完才发现是公路片，公路感十足但是没有把最核心的“救赎”给讲好
冤有头债有主。
奥斯卡伊萨克塑造出的这个形象太迷人。影片呈现了他的忧郁、审慎、沉稳，并告诉观众他的过去是如何在燃烧，却将暴力，丑恶和热烈的一切都隐去，留待想象，正是一种不忍直视。
算是蛮讽刺的故事。复仇和扑克毫无关系，但是也是人生无法像赌博一样算出几率
几首歌选的不错，特别片尾，坚持听完了。
德扑只是一个噱头，一个包装罢了。本来就缺少必要的戏剧冲突，再不包装一下，岂不是半个小时就讲完了？
Wosp 里没人在乎你是谁，只在乎你的手腕上有没有金手链～
让人昏昏欲睡的对白，歌好听但也铺太多了吧。感情线尤为莫名其妙，最后竟然还ending在这种指尖相印的画面…我对这类美式中年个人英雄故事实在是提不起兴趣。
在男主给小白15万美元，让他回家看妈妈时，我如醍醐灌顶，这部把男主往救世主拍的自恋爆棚的作品，必然是自编自导，这种剂量的自恋，我上次还是在《文科恋曲》里大受折磨。 奥斯卡·伊萨克实际上扮演的就是保罗·施拉德想象中的自己。
在3和4之间。
隐藏在赌桌之下的复仇，但并没有激昂的情节，相当克制甚至拖沓，
3.5/节奏慢需要耐心。赌博只是业余爱好，施暴者一系列创伤后应激障碍才是主要。
核算拍没多大关系，虐人者人恒虐之，中间我是睡过去了。
莫名其妙的故事，人物关系和进展也很莫名，除了一点虐囚的镜头，真是乏善可陈
#22#06PTSD 复仇计，到底在拍点啥玩意
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