With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
神奇动物在哪里？反正不在这部电影里。但凡看过一点东亚神话的人，应该都存疑电影里头那几只哪里神奇了。JK罗琳编故事能力越来越差，就连邓布利多的秘密都讲不好。啥秘密啊？不就是和格林沃德坠入爱河、立下血盟么？就这讲了两个小时？如果不是哈利波特全系列和神奇动物系列前两部看过几次，就这部电影的剧情，反正我是完全感受不到两人的爱情。克雷登斯从前两部的核心角色退化成了工具人，一点存在感都没有，默然兽哪儿去了？把阿不福斯这个抛妻弃子的人物引出来呗……邓布利多所谓的迷惑计划真是让观众迷惑啊，除了复制皮箱，似乎就没有第二个点子了吧？不是吧不是吧，这就骗过了格林沃德？总结起来便是故事和特效同创新低，JK罗琳如果真的江郎才尽，我建议别拍了吧……
罗琳，you deserve it😊
seriously？JK 罗琳是彻底摆烂了吗？这剧作要多敷衍有多敷衍，设定要多硬有多硬，如果写不下去干脆就不要写了好吗？
我的妈呀，邓教授开场直接表白！还有重回霍格沃兹！经典台词“always”重现！官方各种自造重磅炸弹啊！餐厅呼风唤雨的打斗也太有想象力了！邓布利多和克雷登斯、格林德沃的两战也很精彩！最好的一部《神奇动物》！幽默元素也回归了好多。女主怎么拍着拍着成客串了？有点想念德普！血盟原来就是铁男大招啊！系列进行至今主心骨越来越明确，就是标题神奇动物卖萌打辅助，主讲粉丝最关心的第一次魔法战争时期的GGAD。粉丝狂喜！！！！！！！
最后不管是ggad还是阿不福思的always 这些细节都让我在影院留下眼泪
麦子演技没得说，个人认为碾压德普——德普的表演更浮于表面，麦子特别有层次感——尤其是剧本比第二部更拉的前提下。
女主比之前漂亮很多
比第二部强得多，米科尔森也比德普适合角色，当然左冷禅因为没有得到祥瑞认可而在封禅台上乖乖认输又有些过于老实。
烂的哟，剧情拖沓，冗长，偶有一些幽默但少的可怜。我看的实在是很想三倍速。真的，哈利波特好看的也就是第一部和第三部让人印象深刻。这个神奇动物系列，我是抱着看特效的心态看看，没想到这部连特效都这么少……哎。
麒麟下跪片段在影院里喊出 你是我的神 的那位观众拯救了这部乏味的电影
烂到不想看结果，一些电影烂，但还有可能好奇结局有多烂，而这个，无聊到不想知道到底有多烂。
电影里大家都是衣架子，衣品永远在线。人多落魄衣品都不掉线。
事实上是纽特和小动物戏份给足我就会很满意，但没有想到最尬的是GGAD
马了个巴子的这是拍了个什么玩意啊，然而ggad我死了啊啊啊啊啊，好割裂啊。一群人到底在干什么啊，行为动机是什么目的又是什么？我看不懂是我有问题吗？只能看懂ggad的部分难道是我的问题？纳吉尼上哪儿去了啊？克雷登斯怎么就变成纯工具人了还余命不多要死了…这也太惨了吧？前两集不还在抢他来着吗怎么说不要就不要了…最后别人结婚其乐融融老邓离婚孤身一人呜呜老邓…可是…怎么麒麟也要跪老邓，差不多得了，这人设也过于苏了吧？ggad互摸心脏“现在还有谁会爱你？”…这糖我是该吃还是不该吃…？
马了个巴子的这是拍了个什么玩意啊，然而ggad我死了啊啊啊啊啊，好割裂啊。一群人到底在干什么啊，行为动机是什么目的又是什么？我看不懂是我有问题吗？只能看懂ggad的部分难道是我的问题？纳吉尼上哪儿去了啊？克雷登斯怎么就变成纯工具人了还余命不多要死了…这也太惨了吧？前两集不还在抢他来着吗怎么说不要就不要了…最后别人结婚其乐融融老邓离婚孤身一人呜呜老邓…可是…怎么麒麟也要跪老邓，差不多得了，这人设也过于苏了吧？ggad互摸心脏“现在还有谁会爱你？”…这糖我是该吃还是不该吃…？
哈哈评分好低，确实喔，大多都是哈迷的一些小梗，节奏也挺拖沓的，下次可以为嗅嗅单独拍一部，我给五星。
罗琳是怕观众不知道fb2的锅是她的所以3写的更过分了吧。所有的角色目标是打败格林德沃，然后按照邓布利多的计划去进行。可是看了二幕整个过程所有主角都不知道自己的目标是什么，甚至回到了起点。这导致观感及其混乱。fb2好歹所有线都有明确过程和目标。当然fb3也有出彩的地方，艺指不错，新神兽也很可爱，ggad的两场戏也尚可。
For the greater good.
完全基于巧合推进的叙事使《神奇动物：邓布利多之谜》在创作上有着肉眼可见的敷衍，而作为系列电影的第三部电影，华纳至今没有弄清楚观众对这部电影的需求。当所谓的“神奇动物”沦为了噱头，单薄如纸的剧情，只是在消费观众对魔法世界的情怀。
克雷登斯出来的时候，我队友问我：“这个是不是斯内普？”
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