Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
舉重若輕的一天。能原諒自己的人早就原諒了所有人，沒有忘記愛人的人也只需要一個藉口。
这种电影，问题是一开头观众就知道他要演什么，包括会遇到什么困难，心灵的救赎，大自然的壮丽景观等等。就算导演把所有这些都呈现出来了，看完以后也就觉得平常，没什么惊喜，除非你有极强的超展开。
想法挺有野心，但把一季电视剧的量压成一部电影看着就又累又毛躁了
根据真实故事改编的救援电影，故事感人，但电影不够好看。
没看过剧集单以身为电影的它来评价 不知所云
好久没看过这么无聊的电影了，日影的下限到底在哪
感觉拍的很细腻，但是节奏较慢，主角选的一般。
虽然剧情不多，但能让我静下心看完，像是深呼吸了一口长气。画面挺美的，能沉浸其中。女主虽然老了，但神情仍然能让我想起当年在金刚面前刷杂技逗它开心的那个女孩，一点没变。
即便这片是默认所有人都看过《黑道家族》来拍的，也是非常差。想表达什么呢？
黑道家族只看了一季，也是很久之前，几乎已经不记得剧情，就当没看过黑道家族看的。人物有点多，2小时明显不够说清楚。黑人平权运动有一种强行加入的意思。
53岁的Naomi Watts，遇到渣男，为艺术献身
平铺直叙，波澜不惊的一对一雪山救援任务，有时候帮助别人就是帮助自己
黑道家族只看了一季，也是很久之前，几乎已经不记得剧情，就当没看过黑道家族看的。人物有点多，2小时明显不够说清楚。黑人平权运动有一种强行加入的意思。
1226晨86：哈哈哈哈还是那个味道，只是不过瘾
就像乐队纪录片，需要配合他们的音乐才能探寻内心，否则就会觉得平平无奇
所以最后是鸡腿了啥？什么个鸡腿法？？？怎么鸡腿？？？？🆘
整部电影就如同标题里Many-Multi/Sanits-Santi这个自以为是的文字游戏一样无聊；同时尽管我对近年来美国影视作品里的政治正确现象基本持理解态度，但还是不明白为什么在这部《黑道家族》前传里要加入大量且基本无意义的民权运动内容。本作之于《黑》比《续命之徒》之于《绝命毒师》还要糟糕。
女主很面熟，查過才知道看過她主演的不少片子，只是她老了好多；
就让导演带着走吧
我觉得莫名其妙，这竟然是畅销小说？反正我是看不下去，浪费了这些好演员
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