The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements: water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive: Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna.
The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator,
the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination.
Huillet-Straub’s The Death of Empedocles is based on Hölderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.
托尼·斯科特、约翰·弗兰克海默、安德鲁·戴维斯、道格·里曼……无数好莱坞动作片黄金巅峰期的名字与代表作在网飞的大数据汇总下反而就是出不来硬货，文本有多过时多无聊就不说了，通篇在打却没有一场印象深刻的动作戏，各种明显绿幕合成的痕迹让全片失去了真实感与紧张感——CG时代断送了动作片台前幕后的勇气和魄力，当然最为致命的，还是归结于罗素兄弟的平庸，看来两人在漫威电影的所谓“成功”不仅误导了影迷对他们执导水平的判断，连好莱坞也被唬得真以为发现了商业类型片领域的“科恩兄弟”呢……网飞数次“最高投资作品”皆为复苏世纪之交鼎盛时期的好莱坞动作大片的努力还是值得肯定的，但从这几部成品失望透顶的质量上讲，还是老老实实等着明年的《疾速追杀4》来教做人吧。
你们这么多人这么多景点，就算拍拍每个人去各个景点散个步喝个茶吃个包很可能也不会这么无聊。
还挺好的周五晚电影。不管怎么说高司令仍然很可，桃总也特别适合演这种变态反派，禁欲西装的Rege更是性感出天际，仅仅冲着这些就可以及格了。打斗戏是多少有点弱，不过也还算干脆吧。镜头画面和光影色调真的很讨喜，很多地方的确有2049的恍惚感。然而故事和逻辑上确实还是太弱了（大部分和小姑娘沾边的情节都很说不通），不合理的地方多到加强版主角光环都可以忽略了（Six的开挂程度简直堪比正当防卫的Rico）。片子舞台全球铺开不过却有点割裂，有种为了全球化而全球化的感觉。但是不管怎么说吧，整体看下来观感尚可，在网飞的动作大电影系列里面算是很好的了（比鬼影特攻好出了一整个红色通缉令的程度，比惊天营救还能稍稍强一点）。所以还是愿意给到四星，而且期待有续作能够把故事圆回来一些（虽然一般都是越描越黑）。
制作费都花在哪儿了？飞来飞去欧洲各地搞破坏吗？
有点浪费这个阵容。。。纯纯商业版谍影重重，但还是差的比较远了。。。我桃的反派好烦人好幼稚。。。女主戏份感觉是硬加的，这个角色的行为就不太合理。有几场戏拆开还行...
咱就是说，如果实在没东西拍可以不拍，这样拍出来真的很像洗钱。
唯一好看就是广场那段，可还是有很多墙子弹被打中是特效做的，剧情特别老套
唯二的亮点在于电车追逐戏和无人机镜头
剧情比较俗套，就是救闺女，但也算是近期看的最爽的枪战类动作片了，特别是布拉格那场市内轻轨枪战戏，各种大型杀伤性武器轮番上阵，是真的爽，太适合影院观看了，小屏幕看还是差点意思。就算是罗素兄弟，也没能再拍出美队2那么精彩的打斗，真的可惜。而且血腥度不够，这点有点不够爽。高司令是真的帅，美队这小胡子一留就真的很变态。
分低了，虽然俗，但拍得还是很爽，场面已经超英了。。。
爱嚼口香糖，穿42码鞋的高司令，猛斗黑化contractor 美国队长。这高速节奏是Jason Bourne 后很久没见了。前面两两之间互怼的台词也犀利对讽，听着特享受。期待系列成型！
可惜了三位主角了。
两星给的是K Joi重聚 古巴美人也能胜任搏斗场面太大开眼界
呃，这剧情莫名其妙一塌糊涂的，为了拍各种大场面和能在各城市取经而绕地球一圈。最后还是落回到一个十分俗套的剧情。
布拉格街头大战年度最佳，期待续集。队长被暴揍特带喜感。
这么贵的网飞电影在有原著的情况下都感觉拍得干巴巴的，没有原著还得了……
《碟中谍》的低级模仿版。
满满罗素风味，白色大字体们报地名梦回美队3，只推荐电视大屏观看..
剧情可以吐槽的点太多了，对最后一段肉搏戏很是无语…高司令演绎这类角色驾轻就熟，安娜很有打女姿态。反派不像杀手倒似穿紧身衣的牛郎。
今天网飞年度热门大片是灰影人，去年是红色通缉令？
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